Back
Official cover art of Time for Art
Cover art © Yusei Matsui / Shueisha. Not an original work of Daddy Jim Headquarters. Displayed for editorial commentary and review purposes.

Time for Art

Manga ChapterCh. 37

Time for Art turns a summer henna craze into both a failed assassination and a wild drawing contest, as Sugaya's talent, Korosensei's competitive streak, and one very unlucky Irina collide across nineteen pages.

Pages: 19
Volume: Volume 5
Next Chapter: Chapter 38: Time for Training
Release Date: April 1, 2013
Japanese Title: アートの時間
Magazine Issue: Issue 18, 2013
Anime Adaptation: Not adapted
Previous Chapter: Chapter 36: Time to Get Closer
Text Size

Summary

With July underway, Class 3-E switches to its lighter summer uniforms, and Taiga Okajima wastes no time gawking at the girls' newly bared skin while Nagisa looks on with unease. Korosensei coolly warns him against distraction, though the tentacled teacher is hiding an adult magazine of his own, a hypocrisy Okajima calls out at once. The whole room, teacher included, freezes when Sosuke Sugaya bares a sprawling design running down his left arm, joking that the limb had been sealed away by the gods. Hinano Kurahashi realizes it is painted on, and Sugaya explains it is henna, a dye that lingers roughly a week once it sets. Karma Akabane notes the art hails from India, a country his parents keep returning from with fresh markings.

Fresh from a stack of books about delinquents, Korosensei is relieved his student is not turning into one and eagerly begs for a design of his own. As Rio Nakamura likens the prepared dye to melted chocolate, Sugaya begins his first stroke, and moments later the class watches in horror as their teacher's face liquefies. Yuma Isogai works out that Sugaya ground up anti-sensei bullets and folded them into the paint, though Hinata Okano points out the target would need to sit still far longer to actually perish. Korosensei recovers, praises the cunning, then dissolves into tears because he had merely wanted something cool drawn on him. A quick apology later, Sugaya starts over with ordinary paint.

Text Size

Key Events

Before long the entire class sports henna across their arms, so when Irina Jelavic strolls in feeling breezy in her summer wear, she recoils at the sight. Korosensei, patterned across his cap and cheeks, cannot contain his excitement, and he and Sugaya both fix their eyes on Irina as the last blank canvas available. She flares up, slips on a stray pack of paint, cracks her head against the wall, and knocks herself cold. The pair seize the chance to hold a contest on her unconscious body. A flashback fills in Sugaya's past: his compulsive doodling once earned him a delinquent's reputation, and a teacher folded his marked-up exam into quarters before shipping him off to Class E. Sugaya inks an intricate piece down her right arm, while Korosensei answers on the left with a short comic about a cook conning an octopus out of a fresh coat.

The two keep trading turns, layering fresh gags onto Irina and even fitting her with cardboard props and a cheap samurai getup. Sugaya's stylish lettering spells out a crude insult, and Korosensei counters with a giant peach, a moocher, fake glasses, a mustache, and the words 'medium-sized' across her forehead. When Irina finally stirs, she inspects herself in silence, walks out, and returns transformed with real firearms, opening fire on the fleeing class. Tomohito Sugino grabs her from behind, promising the dye will wash off if it never sets, but she rages that her summer debut is ruined all the same.

Text Size

Notes

Nagisa reasons she would be far less furious had Sugaya acted alone. Sugaya agrees, admitting that the doodles on the backs of his assignments were always dismissed elsewhere, whereas Korosensei not only tolerates them but happily builds on them, recalling a Rembrandt he once added. He concludes that in a room where killing the teacher is the whole point, being unconventional simply reads as normal. As Korosensei calmly offers the still-firing Irina a snack, Tadaomi Karasuma steps in looking annoyed at the racket, opening what the chapter frames as the final eight months of the hunt. Released on April 1, 2013 in issue 18, the chapter carries the Japanese title Ato no Jikan and was not given an anime adaptation.

Share this resource

Frequently Asked Questions

What happens in Assassination Classroom Chapter 37, Time for Art?

In Chapter 37, Sosuke Sugaya introduces henna body art to Class 3-E, sparking a drawing contest with Korosensei that eventually gets settled on Irina Jelavic's unconscious body while she is knocked out.

Why does Korosensei's face melt when Sugaya draws on him in Chapter 37?

Sugaya secretly grinds up anti-sensei bullets and mixes them into the paint used on Korosensei, though Hinata Okano points out the attempt fails because the target would need to sit still much longer to actually be killed.

What do Sugaya and Korosensei do to Irina Jelavic after she is knocked unconscious?

After Irina slips and knocks herself out in Chapter 37, Sugaya and Korosensei use the chance to hold an art contest on her body, covering her arms and face with rival drawings, props, and an insulting message.

How does Irina Jelavic react when she wakes up in Chapter 37?

Irina inspects the henna art covering her body in silence, walks out, then returns with real firearms and opens fire on the fleeing class in fury over her ruined summer debut.

Was Chapter 37 of Assassination Classroom adapted into the anime?

No, Chapter 37, Time for Art, was released on April 1, 2013 in issue 18 but was not given an anime adaptation.

Sources & Information

Looking for more on Time for Art? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

View on Fandom

This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

Help Us Keep This Wiki Accurate

Daddy Jim Headquarters maintains this encyclopedia. If you spot an error, a translation issue, or something that doesn't look right, let us know.