
The third Korotan D light novel chapter, Filming Time. When the film's line producer quits over endless delays, Karma volunteers the former Class 3-E as replacement crew. Okajima's wire-rigged camera work keeps pace with Jerome's running scene, impressing the director and earning the class the wider team's trust.
The commotion that drew Kayano over turns out to be a clash between the line producer and the director, both fed up with the repeated hold-ups on the shoot. The producer finally loses his temper and walks off the job, and the crew reacts with dread, likening the departure to being stripped of their arms and legs. Karma steps forward and offers the class as fill-in staff, drawing on the varied skills they picked up back in middle school. The director takes him up on it, and each student slots into a role that fits. Meanwhile Chiba, Hayami, and Hara take a moment to appreciate the temple's architecture.
Jerome March is filming a running sequence, but his pace outstrips the fixed cameras trying to capture it. When the director asks for a cameraman rigged to a wire, Okajima volunteers and manages to stay level with Jerome, delivering exactly the footage the director wanted. That first success opens the door, and the class steadily wins the confidence of everyone working on the production.
The line producer's resignation throws the shoot into crisis, prompting Karma to volunteer the class as replacement crew. Okajima's wire-rigged camera work keeps pace with Jerome's running scene and impresses the director, and that early win earns the former 3-E students the trust of the wider film team.

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Korotan D Chapter 3, Filming Time, has the former class 3-E students step in as film crew after Gold City's line producer quits, using skills they picked up in middle school to save the troubled shoot.
The line producer loses his temper and walks off the job after repeated hold-ups and clashes with the director over the shoot's constant delays.
Karma offers the reunited class as fill-in crew, and the director accepts, letting each student take on a role suited to skills they developed back in middle school.
Okajima volunteers for wire-rigged camerawork to keep pace with Jerome March's fast running scene, delivering the footage the director wanted and earning the class the crew's trust.
Chiba, Hayami, and Hara pause during the chaos to appreciate the temple's architecture while the rest of the class settles into their new crew roles.
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