Tetsurō Araki is a Japanese director and animator best known for steering Attack on Titan through its first three seasons, following his earlier work directing the anime adaptation of Death Note.
Araki directed Attack on Titan's first three seasons, the era of the anime produced by Wit Studio before production shifted to MAPPA for the Final Season. He shaped the show's early identity through kinetic 3D maneuver gear sequences and a tense, oppressive visual atmosphere that set the tone for the franchise. His work on those seasons helped turn Attack on Titan into one of the most talked about anime of the 2010s, building on the reputation he had already earned with Death Note.
Before Attack on Titan, Araki made his name directing the psychological thriller Death Note, and he later directed the mecha series Guilty Crown and the steampunk action show Kabaneri of the Iron Fortress. Early in his career he worked under the pen name Mochizuki Saburō, cutting his teeth as an episode director and animator on other productions before moving into full series direction. His filmography is defined by tense pacing, striking close-ups, and ambitious action choreography.
Tetsurō Araki directed Attack on Titan's first three seasons, the era of the anime produced by Wit Studio before production shifted to MAPPA for the Final Season. He shaped the show's early identity through kinetic 3D maneuver gear sequences and a tense, oppressive visual atmosphere.
Before Attack on Titan, Araki directed the psychological thriller Death Note. He later directed the mecha series Guilty Crown and the steampunk action show Kabaneri of the Iron Fortress.
Tetsurō Araki is his real name. Early in his career he worked under the pen name Mochizuki Saburō, cutting his teeth as an episode director and animator before moving into full series direction.
Araki was born in 1976 and has been active in the industry since 1999. His early work as an episode director and animator preceded his rise to directing full series like Death Note and Attack on Titan.
Araki's filmography is defined by tense pacing, striking close-ups, and ambitious action choreography. That style runs across his work on Death Note, Guilty Crown, Kabaneri of the Iron Fortress, and Attack on Titan.

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