![Official cover art of Monster and a Transfer [Struck Down]](/_next/image?url=https%3A%2F%2Fcdn.daddyjim.com%2Fbleach%2Fmanga_chapters%2F009-monster-and-a-transfer-struck-down-featured-be5a50ad.webp&w=3840&q=90)
The Hollow Shrieker corners Rukia while her gigai leaves her weak, but rescue comes from an unlikely source: Sado lands blow after blow on an enemy he cannot even see, guided only by Rukia's shouted directions.
Karin urges Ichigo to promise Yūichi a reunion with his mother in the afterlife so the boy need never be alone. As Rukia races after Sado, she curses her sluggish gigai for lacking the strength and flight she needs, resolving to complain to the research division. Distracted, she fails to guard her back, and Shrieker ambushes her, declaring he will devour her soul. Elsewhere, having tucked Karin into bed, Ichigo reflects on how rarely his sister cries and steels himself to reunite Yūichi with his mother.
Rukia recovers from Shrieker's blow and stuns him simply by surviving, then knees him and fires a point-blank Sōkatsui at his skull, hoping her powers have finally returned. The Hollow shrugs off the spell unharmed, gashes her arm, and taunts her as a feeble soul reaper. He boasts of already eating two soul reapers sent to claim Yūichi, but refuses to explain his obsession unless she lets him bite her.
Hearing the fight, Sado sets Yūichi's cage atop a fence and charges in blind, punching Shrieker squarely and freeing Rukia despite being unable to see the creature. Rukia marvels that an ordinary human would strike a lethal foe he cannot perceive. Enraged, Shrieker takes to the air and dares Sado to hit him, but Sado simply asks Rukia for the Hollow's position, wrenches a telephone pole from the ground, and, on her direction, smashes Shrieker down into the earth.
Shrieker reveals he has already consumed two soul reapers. Rukia's returning powers prove too weak to harm him, and Sado saves her by attacking on faith and her spoken coordinates, felling the airborne Hollow with an uprooted telephone pole.
Set in the second volume and the Agent of the Shinigami arc, this chapter demonstrates Sado's budding spiritual resilience. Its events span the anime's fourth and fifth episodes, Cursed Parakeet and Beat the Invisible Enemy!. Viz Media publishes it as Monster Vs. New Girl (Smack Down).

Five Bleach female characters, ranked and settled. Yoruichi sits at number five, the spot nobody expects, and our number one is an Arrancar with a soft heart....

The transformation everyone knows, the follow-up question nobody would touch. Why we made a smooth R&B track about the golden glow Dragon Ball never talks about....
In "Monster and a Transfer [Struck Down]," the Hollow Shrieker corners a weakened Rukia, but Yasutora Sado rescues her by landing blows on an enemy he cannot see, guided only by Rukia's shouted directions.
In "Monster and a Transfer [Struck Down]," Sado charges in blind and punches Shrieker on faith, then asks Rukia for the Hollow's position and, on her spoken coordinates, smashes the airborne creature down with an uprooted telephone pole.
In "Monster and a Transfer [Struck Down]," Shrieker boasts that he has already devoured two soul reapers who were sent to claim Yūichi.
In "Monster and a Transfer [Struck Down]," Rukia's sluggish gigai leaves her without the strength and flight she needs, and even a point-blank Sōkatsui fails to harm Shrieker because her powers have not fully returned.
The events of "Monster and a Transfer [Struck Down]" span the fourth and fifth anime episodes, "Cursed Parakeet" and "Beat the Invisible Enemy!," and Viz Media publishes the chapter as "Monster Vs. New Girl (Smack Down)."
Looking for more on Monster and a Transfer [Struck Down]? The Bleach Wiki on Fandom has a dedicated page with community notes.
View on FandomThis content is original writing by Daddy Jim Headquarters based on the Bleach anime series, manga, and official materials. Episode and chapter references are cited where applicable.
Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:
Official resources:
Daddy Jim Headquarters maintains this encyclopedia. If you spot an error, a translation issue, or something that doesn't look right, let us know.