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Ireul, eleventh of the Angels, never shows a monstrous silhouette; it exists at the scale of a virus. Invading the Pribnow Box beneath NERV headquarters in the TV series, it evolves past every countermeasure and infiltrates the MAGI, forcing Ritsuko Akagi to weaponize evolution itself against it.

Kana: イロウル
Debut: Episode 13
Title: The Angel of Terror
Hebrew: ירואל
Number: 11th
Status: Destroyed
Appearances: Neon Genesis Evangelion (anime); Neon Genesis Evangelion: Gakuen Datenroku (manga)
Preceded By: Sahaquiel
Name Meaning: Terror of God
Succeeded By: Leliel
Classification: Angel
Alternate Spelling: Iruel
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Appearance

Nothing about Ireul is visible to the naked eye. The Angel consists of nano scale organisms comparable to a virus, and it claims territory by multiplying at the cellular level rather than moving as a single body. Whether any core exists within it is never established, a question its sub-microscopic size may render moot. On screen its presence registers first as spreading discoloration and later as a growth patterned like electronic circuitry. Its name, rendered in Hebrew and sometimes written Iruel, translates as Terror of God.

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Abilities

Adaptation is Ireul's true weapon. Confronted with laser fire, it raises an A.T. Field to swat the beams aside; drowned in ozone, it needs mere seconds to adjust, then consumes the gas as fuel and grows stronger. Its evolution eventually carries it beyond biology altogether, letting it interface with machines, crack the MAGI's electronic defenses, and shield the physical cables it rides behind an A.T. Field so the connection cannot simply be severed.

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History

Episode 13 stages the Angel's emergence inside the Pribnow Box, far below ground in the GeoFront, where staff mistake the early growth for corrosion until it creeps toward the pilots undergoing tests. Before understanding their enemy, Ritsuko Akagi and Misato Katsuragi order lasers against the infestation, an attempt that dies against a materialized A.T. Field. Discovering a weakness to ozone, they flood the infected area with it, but the reprieve lasts seconds; the Angel absorbs the gas, mutates into its circuit-like configuration, and penetrates the MAGI system, reading critical files and working to trigger a self-destruct sequence. Ritsuko slows the intrusion just long enough to reach the last uncompromised MAGI unit, through which she steers Ireul's own evolution onto a course ending in its self annihilation. Sahaquiel precedes it in the order of Angels and Leliel follows it. The Book of Enoch, an apocryphal Old Testament text, names Ireul the Angel of Terror.

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Frequently Asked Questions

How was Ireul defeated?

Ritsuko Akagi slowed Ireul's intrusion into the MAGI system long enough to reach the last uncompromised MAGI unit, through which she steered the Angel's own evolution onto a course that ended in its self-annihilation.

Who is the 11th Angel in Evangelion?

Ireul is the eleventh Angel, an entity at the scale of a virus that invades the Pribnow Box beneath NERV headquarters in episode 13 of the TV series.

What does Ireul look like?

Ireul is invisible to the naked eye, made up of nano-scale organisms comparable to a virus that spread across surfaces as discoloration and later as a growth patterned like electronic circuitry.

What is Ireul's weakness?

Ireul is briefly vulnerable to ozone gas, but it adapts within seconds, absorbing the ozone as fuel and mutating into a form that can penetrate the MAGI system.

Which Angels come before and after Ireul?

Sahaquiel precedes Ireul in the order of Angels, and Leliel follows it.

Sources & Information

Looking for more on Ireul? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

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