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Sandalphon

Character

Sandalphon, the Eighth Angel of Neon Genesis Evangelion, is found before it is ever born: an embryo drifting inside an active volcano. NERV's bid to capture the dormant specimen wakes it mid-retrieval, forcing Asuka and Unit-02 into a superheated duel deep in the magma.

Kana: サンダルフォン
Title: The Angel of Embryos
Number: 8th
Series: Neon Genesis Evangelion
Status: Deceased
Name Meaning: The Brother
Classification: Angel
First Appearance: Episode 10
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Appearance

In its unhatched state the Angel floats within a dark, egg-shaped cocoon, its silhouette loosely suggesting a human embryo. Hatching begins with distorted cries like those of an infant, after which it reshapes its own mass behind a visual blur, the same effect the series usually reserves for A.T. Field activity.

The mature body is flat and finned, closest in shape to a flatfish, though the resemblance is partly a trick: the paired markings on top are false, while the working eyes sit on stalks and the true mouth opens on the underside of the head, an arrangement compared to the ancient predator Anomalocaris. The creature shrugs off volcanic heat even with its mouth agape, yet its newly hatched form is aquatic and frail, and nothing confirms whether it carries a developed core or can raise an A.T. Field at all.

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Personality

Whether Sandalphon is hostile at all remains an open question. Its pre-hatch vocalizations sound like a baby's, so its conduct can be read as that of a newborn rather than a combatant. Even its severing of Unit-02's cabling is ambiguous: a deliberate last strike, or the flailing of an infant mind, the series never says.

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History

Designated the Angel of Embryos, with a name rendered as The Brother, Sandalphon debuts in Episode 10 between Israfel and Matarael. NERV attempts to claim the specimen while it sleeps: Asuka, sealed in a plug suit modified against extreme heat, descends into the volcano with Unit-02 to haul it out. The Angel stirs during the final phase of the extraction and battle erupts in the magma.

Its heat-hardened, pressure-proof body finally yields to a Progressive Knife that Shinji drops down to Asuka, the blade flooded with coolant to survive the environment. Its roar is recycled from Twin Tail, a kaiju from the Ultraman series.

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Frequently Asked Questions

What is Sandalphon the Angel of?

Sandalphon is designated the Angel of Embryos in Neon Genesis Evangelion, the Eighth Angel that NERV encounters. It begins the story as a dormant embryo hidden inside an active volcano.

What does Sandalphon's name mean?

Sandalphon's name is rendered as The Brother in the series. It is also classified simply as the eighth of the Angels battled in Neon Genesis Evangelion.

What does Sandalphon look like before it hatches?

Before hatching, Sandalphon floats inside a dark, egg-shaped cocoon whose silhouette loosely suggests a human embryo. It hatches with distorted cries like an infant's before reshaping its body behind a visual blur.

How is Sandalphon defeated?

Sandalphon is defeated when Shinji Ikari drops a Progressive Knife, flooded with coolant to survive the volcano's heat, down to Asuka, who drives it into the Angel's body during their battle in the magma. Its heat hardened, pressure proof form finally yields to the blade.

Where does Sandalphon first appear in Neon Genesis Evangelion?

Sandalphon first appears in Episode 10, arriving between the Angels Israfel and Matarael. NERV attempts to extract the sleeping specimen from the volcano, but the Angel wakes during the operation and a battle erupts in the magma.

Sources & Information

Looking for more on Sandalphon? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

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