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That Isn't What I Want!

EpisodeS2Ep. 22

In this twenty-second chapter of the 2019 series second season, cultural festival prep becomes the backdrop for Yuki finally voicing the tangled feelings he holds for Tohru, while Kyo wrestles with his role in the class play and his sense of standing beneath his cousin.

Air Date Jp: August 31, 2020
Air Date Us: December 7, 2020
Director: Caitlin Glass
Opening Theme: Home
Ending Theme: Eden
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Summary

As the school throws itself into preparing for the culture festival, Yuki puts words to a private truth he has never shared with anyone. The episode threads his long conversation with Kakeru against the mounting stress of a class production that both boys have been pulled into.

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Key Events

Yuki traces back why he once urged Tohru to move into Shigure's home, an act rooted partly in defiance of the family and its curse, and explains to Kakeru that she accepts him with all his flaws and lets him taste what being loved feels like. He admits the shift came after watching her chase Kyo in his true form, when he started seeing her as a woman rather than a girl and grew embarrassed, even flirting in a way that felt false. Kakeru counters that Yuki clings to a maternal image only because he cannot bear having lost her to Kyo. When Kakeru hurls a soccer ball at his face, the two trade heated blows with it, and Kimi arrives worried the paint fumes have sickened Yuki. Yuki notices his nausea has lifted, crediting the relief of finally speaking his mind, and resolves to tell Tohru someday.

At home, Tohru frets to Shigure about memorizing her lines, and Shigure delights at learning Kyo will play the prince, much to Kyo's irritation. Rehearsals go poorly, with Tohru floundering as the wicked stepsister and pushing for Kyo's part to be reworked so he might actually show up. Yuki scolds Kyo for skipping practice, and Kyo snaps that Yuki sails through life while he barely stays afloat, then punches a window and cuts his hand. Later Kyo finds Tohru waiting with the revised script, and unable to speak he simply rests his head on her shoulder, leaving her flushed as they head home together.

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Notes

The title comes from a line of Yuki's, and the handshake shared between him and Tohru is actually pulled from Chapter 136 of the manga. Adapting Chapters 86 and 87, the anime lengthens Yuki's reflection on his feelings with extra dialogue, shortens Tohru's anxious rambling about her stepsister role, and drops small manga beats such as Kyo muttering about being spotted and Mine eyeing nervous girls out of her dress-up habit.

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Frequently Asked Questions

What happens in the Fruits Basket episode That Isn't What I Want?

During culture festival preparations, Yuki finally voices his feelings for Tohru to Kakeru, while Kyo struggles with his role in the class play and his sense of standing beneath Yuki.

Why did Yuki originally urge Tohru to move into Shigure's home?

Yuki explains to Kakeru that the request was rooted partly in defiance of the Sohma family and its curse.

What does Yuki confess to Kakeru about Tohru?

Yuki explains that Tohru accepts him with all his flaws and lets him feel what being loved is like, and that he began seeing her as a woman rather than a girl after watching her chase after Kyo in his true form.

How does Kyo react when Yuki scolds him for skipping rehearsal?

Kyo snaps that Yuki sails through life while he barely stays afloat, then punches a window and cuts his hand.

What role does Kyo play in the class festival production?

Kyo is cast as the prince while Tohru plays the wicked stepsister. Rehearsals go poorly until Tohru pushes for Kyo's part to be reworked so he will actually show up.

Sources & Information

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This content is original writing by Daddy Jim Headquarters based on the Fruits Basket anime series, manga, and official materials. Fruits Basket was created by Natsuki Takaya, published by Hakusensha, and animated by TMS Entertainment. All rights to Fruits Basket and its characters belong to their respective owners. Episode and chapter references are cited where applicable.

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Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

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  • Game pages: official box art, credited to the game's respective publishers.
  • Manga chapter pages: volume covers, credited to Hakusensha and Natsuki Takaya.

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