Justice, Part 1

After laying out Holy's condition for her, Joseph persuades Anne to head back home to Hong Kong. With thick fog making the cliffside road toward Karachi too dangerous to drive, the group pulls into a nearby town to look for lodging. A silent restaurant owner offers no directions, and moments later the travelers stumble upon a corpse lying in the street, with no clear cause of death.

When no one else in town seems to register the dead man at all, the group grows uneasy and begins to suspect a Stand user is at work, their fears deepening once they find the body is pierced with holes that have not bled. Deciding it is time to leave, Joseph leaps toward what he takes to be their car and only just avoids being run through by a spiked gate. It is then that Enya steps forward, presenting herself as a harmless old woman and guiding them to a nearby hotel.

As the group settles into their rooms, Hol Horse turns up, having followed the Joestar party to the town. Convinced he deserves death for abandoning J. Geil, Enya slashes his wrist with a pair of scissors and calls on Justice, her Stand that takes the shape of the fog itself, to open a hole from the wound. She then puppets Hol Horse's arm through that hole and makes him shoot himself with his own Emperor, before turning her attention toward her next mark, Polnareff.

Joseph sends Anne home to Hong Kong before the group is forced by fog to stop in a strange town. They discover a bloodlessly punctured corpse that the townsfolk ignore, and after Joseph narrowly escapes a spiked gate, Enya poses as a kindly old woman and leads them to a hotel. When Hol Horse arrives, Enya wounds him and uses her mist Stand Justice to control his arm, making him shoot himself, then sets her sights on Polnareff.

Scripted by Shinichi Inotsume with storyboard by Hirofumi Ogura, the episode aired on July 5, 2014, and adapts the latter half of chapter 154 through the opening pages of chapter 157. Its opening theme is STAND PROUD and its ending is Walk Like an Egyptian. The adaptation opens with new material giving Anne a proper send-off at the airport, a farewell the source story had skipped, and leans into the eerie, insect-crawling atmosphere of the fog.