Hiroshi Seko is a Japanese anime screenwriter whose credits include Jujutsu Kaisen alongside major titles like Attack on Titan and Chainsaw Man, both produced through his frequent collaborations with MAPPA and Wit Studio.
Seko is one of the screenwriters behind the Jujutsu Kaisen anime, adapting Gege Akutami's manga for the MAPPA production. The credit sits within a broader run of script work he has done for some of the most acclaimed anime adaptations of the era.
Active in the industry since 2010, Seko built his reputation writing individual episodes before being promoted to head screenwriter on Seraph of the End. He has since lent his script work to acclaimed series such as Vinland Saga and Attack on Titan, plus Mob Psycho 100 and Chainsaw Man, often partnering with Wit Studio and MAPPA.
Hiroshi Seko is known for his screenwriting work on major anime adaptations, including Attack on Titan and Chainsaw Man. Both were produced with frequent collaborators Wit Studio and MAPPA.
Hiroshi Seko is one of the screenwriters behind the Jujutsu Kaisen anime, adapting Gege Akutami's manga for the MAPPA production. The credit sits within a broader run of script work he has done for some of the most acclaimed anime adaptations of the era.
Hiroshi Seko has been active in the anime industry since 2010, building his reputation by writing individual episodes. He was later promoted to head screenwriter on Seraph of the End.
Beyond Jujutsu Kaisen, Hiroshi Seko has lent his script work to acclaimed series such as Vinland Saga and Mob Psycho 100. His writing credits span some of the most prominent anime adaptations of the past decade.
Hiroshi Seko is a Japanese anime screenwriter whose credits span some of the most acclaimed adaptations of the 2010s and 2020s. He is best known for his frequent collaborations with the studios MAPPA and Wit Studio.

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This content is original writing by Daddy Jim Headquarters based on the Jujutsu Kaisen anime series, manga, and official materials. Episode and chapter references are cited where applicable.
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