
A flashback traces how Uzuki and Rion first became fugitives together. After sparing him following their fight, Rion learns his captive family drove him to sabotage a mission, then turns her gun on the JAA to free him, binding the two into a life on the run.
Uzuki's memory returns to the moment Kindaka collapsed from poison before him. He fled, but Rion overtook him, locked him in a chokehold, pinned him down, and leveled a gun, demanding to know if he had deliberately dropped the antidote. Frustrated, Uzuki admitted he was forced to and lashed out with his blade-whip, and the two traded blows until she bested him yet chose to let him live.
Asked why she spared him, Rion says she came meaning to kill but sensed he was hiding something. Uzuki reveals his makeshift family is held hostage, above all Gaku, a boy he sees as a younger brother who was only thirteen at the time. He explains he was raised in a facility that molded orphans into JAA assassins under Asaki's command, forced onto missions he never wanted. Their talk breaks off when four JAA killers arrive to arrest them both for Kindaka's death. Uzuki reflexively denies Rion's involvement and steps forward to surrender, expecting to be killed, but Rion snatches an assassin's gun, downs him, and shoots the three surrounding Uzuki. He follows her lead and they escape.
On the run, Uzuki asks why she saved him when she could still return to the JCC. Rion says she also has a family to protect and does not see him as a villain, words that strike at his own struggle over whether he is good or bad. Hiding in a parked car, she promises a way to save his friends later rather than rushing back to the orphanage, and refuses to let him keep her out of it. They buy breakfast, chat about the JAA's terrible cafeteria food, and stop for gas, where neither can work the pump. Low on money, they ditch the car, plan to sell items from the trunk, and, when JAA pursuers appear, decide to steal the enemy's vehicle instead, drifting on with no fixed destination as Uzuki senses the life cannot last.
The chapter recounts the origin of Uzuki and Rion's partnership. After defeating and sparing Uzuki, Rion learns his family is held hostage and that he was raised as a JAA weapon under Asaki. When the JAA moves to arrest them both, Rion guns down the assassins to free Uzuki, becoming a fugitive herself. The two flee together, bonding over their shared wish to protect their loved ones as they scavenge and dodge pursuit.
Titled Escape (Tōhikō), this is the one hundred seventy-third chapter of the JAA Jail Arc. It ran in issue 32 of 2024 on July 8, 2024, and is collected in Volume 20. A katana glimpsed in the trunk of their stolen car foreshadows Uzuki's later theft of Takamura's blade, which he uses to kill the swordsman.

Naruto vs Luffy with the twist nobody asked for: Luffy tickled Hinata on date night, and she kind of liked it. We break down the whole fight and commit to a winner....

There are no women on Namek. That isn't an oversight, it's the biology. Why we handed Piccolo the one thing his own species rules out, and why it had to be trap soul....
Chapter 173 flashes back to how Uzuki and Rion became fugitives together, after Rion spares Uzuki in a fight and then guns down JAA assassins to free him from arrest.
Rion senses Uzuki is hiding something and learns his makeshift family, including a boy named Gaku, is being held hostage, prompting her to let him live after defeating him.
Uzuki reveals he was raised in a facility that molded orphans into JAA assassins under Asaki's command, forced onto missions he never wanted.
When four JAA killers arrive to arrest both Uzuki and Rion for Kindaka's poisoning, Rion shoots the assassins to free Uzuki, and the two flee together.
Chapter 173 is titled Escape, or Tohiko in Japanese, and is part of the JAA Jail Arc.
Looking for more on Chapter 173? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.
View on FandomThis content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.
Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:
Official resources:
Daddy Jim Headquarters maintains this encyclopedia. If you spot an error, a translation issue, or something that doesn't look right, let us know.