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Official cover art of All Aboard
Cover art © Yuto Suzuki / Shueisha. Not an original work of Daddy Jim Headquarters. Displayed for editorial commentary and review purposes.

All Aboard

Manga Chapter

Sakamoto turns a mechanical pencil, a store flyer, and discount stickers into weapons against the cyborg Kashima, whose origin under Slur surfaces as the brawl spills onto a speeding train.

Arc: Lab Arc
Volume: 4
Release Date: June 28, 2021
Issue: 30, 2021
Previous Chapter: Chapter 28
Next Chapter: Chapter 30

Main Characters (1)

Kashimacover
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Summary

Kashima opens with the retractable blades in his left arm, slashing at Sakamoto's face, but the shopkeeper springs clear. Sneering that Sakamoto's bulk makes him sluggish, the cyborg brags that more than seventy percent of his frame has been rebuilt with laboratory hardware and writes his foe off as livestock awaiting slaughter. Sakamoto answers that he carries weapons too, then produces a handful of ordinary junk: markdown labels, an advertising flyer, and a novelty mechanical pencil.

Kashima looses a laser from his arm, dismissing the clutter, yet a thumb-flicked shard of pencil lead spears his left eye. Boasting that one eye is plenty, he abruptly goes dark as a discount sticker lands square on the other. Sakamoto slips behind him, whips him through a concrete wall with a belt, and observes that leaning on a weapon's specs is the mark of a second-rate fighter. Laughing, Kashima admits he does not even know how to die.

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Key Events

A flashback shows Kashima as a haunted young man standing over heaps of the dead, approached by Kei Uzuki, who argues that noble justice cannot exist without evil. Where the world recoiled from him, Uzuki marks an X across his mouth in blood and vows to accept every part of him, and for the first time Kashima feels embraced. Back in the present he fights for that acceptance as the duel leaps onto the roof of a passing train, where a forearm wire lashes Sakamoto to the rails and drags him across the gravel.

Sakamoto rides a loosened railroad sleeper like a board, cuts the binding with the flyer, and yanks Kashima's own line to fling him into the tunnel wall. Both smash through the windshield of the driver's cab, the cyborg's limbs barely held on by straining internal wires. Water he tries to drink pours straight through his torn belly, and as he loses track of his foe, a slimmed-down Sakamoto sits calmly nearby before driving a kick into his cheek, musing that an immortal opponent removes any fear of killing by accident.

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Notes

Under the title "All Aboard" (Kakekomi Jōsha), this twenty-ninth chapter fills 19 pages of the Lab Arc and appears in the fourth volume. It was first printed on June 28, 2021, in issue 30, with Sakamoto and Kashima sharing the cover. The chapter reveals Kashima's origin and his devotion to Slur.

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Frequently Asked Questions

Is Sakamoto fat or not?

In Sakamoto Days Chapter 29, Kashima mocks Taro Sakamoto's bulk as slow, but as their fight moves onto a moving train Sakamoto appears in a visibly slimmed-down form, showing his heavier build is not fixed and he can shed weight when fighting seriously.

What everyday objects does Sakamoto use as weapons in Chapter 29?

In Sakamoto Days Chapter 29, titled All Aboard, Taro Sakamoto fights the cyborg Kashima using ordinary items including markdown stickers, an advertising flyer, and a novelty mechanical pencil.

What is revealed about Kashima's origin in Chapter 29?

Chapter 29 of Sakamoto Days includes a flashback showing a young, haunted Kashima surrounded by the dead, approached by Kei Uzuki, who marks an X across his mouth in blood and accepts him, giving Kashima his first sense of belonging.

Who is on the cover of Chapter 29?

The cover of Sakamoto Days Chapter 29 features Sakamoto and Kashima.

When was Chapter 29 released?

Sakamoto Days Chapter 29 was first printed on June 28, 2021, in issue 30 of that year, spanning 19 pages of the Lab Arc.

Sources & Information

Looking for more on All Aboard? The Sakamoto Days Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Sakamoto Days anime series, manga, and official materials. Sakamoto Days was created by Yuto Suzuki, published by Shueisha, and animated by TMS Entertainment. All rights to Sakamoto Days and its characters belong to their respective owners. Episode and chapter references are cited where applicable.

Rights holders

All rights belong to their respective owners.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to TMS Entertainment and Shueisha.
  • Game pages: official box art, credited to the game's respective publishers.
  • Manga chapter pages: volume covers, credited to Shueisha and Yuto Suzuki.

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