日本制片人,统筹《龙珠》电视系列与剧场版的制作,负责包括布罗利三部曲与《神与神》在内的多部影片的排期、预算与协调。
日本导演,参与导演《超龙珠英雄》网络动画内容,在为众多当代动画系列广泛工作的同时,助推了该系列的数字动画扩展。
来自长崎的日本导演,参与《龙珠》分镜并执导《阿拉蕾》剧场版与翻拍作品,同时作为长寿人气系列《面包超人》的导演赢得更广泛的认可。
日本企划,统筹《超龙珠英雄》第12至44集的企划工作,在参与火影忍者系列工作的同时,助推了这部网络动画的组织与制作发展。
伊豆乃章雄是前集英社编辑,后来成为鸟山明在龙珠超时代的主要编辑搭档,如今执掌集英社专门组建的胶囊公司东京,负责打理整个现代系列。
日本导演,执导了《龙珠超》宇宙生存篇三集,在大量电视与影片导演工作之余,参与缔造了大会中最具戏剧张力的若干时刻。
日本制作主任,负责《龙珠改》的制作后勤,并在多部动画系列与影片中担任制作管理。
日本导演与制片人,执导了一集《龙珠Z》,并在众多动画与影片中广泛担任制作岗位。
日本导演,执导了龙珠大魔,将最新的龙珠系列带给观众,并在海贼王及其他动画作品中拥有丰富经验。
美国制片人,担任富迅公司制作副总裁。曾制作多部龙珠系列,包括原创剧集、重制版、电影及横跨整个系列的延伸篇章。
今田智宪是东映动画的资深高管与制片人,他批准并监督了多部<em>《龙珠 Z》</em>剧场版的制作,在系列票房最辉煌的十年里塑造了《龙珠》电影业务的整体面貌,是把鸟山明笔下的角色推上日本银幕、并最终送往全球家用录像市场的核心制片人之一。
执掌初代龙珠动画及龙珠Z早期岁月的东映动画导演。西尾大介奠定了把悟空介绍给全世界的这部电视剧的节奏、构图与质感。
集英社的日本编辑与制片人,为龙珠Z剧场版电影提供企划协力,支援多部重要作品的制作统筹。
日本企划,参与了《超龙珠英雄》的制作监督工作,该作品是集换式卡牌游戏的动画改编版。
参与《龙珠大魔》的导演兼分镜师。曾担任《龙珠大魔》第6集的分集导演,并参与片头动画制作。
传奇的墨西哥配音导演兼演员。执导了整个《龙珠》系列的拉丁美洲西班牙语配音,直至《龙珠GT:勇者的遗产》,成为西班牙语动画本地化领域举足轻重的人物。
拥有丰富动画作品履历的音乐与制作协调人。曾担任《龙珠Z改》第66至98集的制作人,并协助监督《龙珠特别篇》原创动画录影带的企划工作。
驻加埃塔的意大利配音导演兼演员。执导了意大利语版《龙珠超》的配音,并为包括波波先生在内的配角配音。
罗马尼亚出生的东映动画制作人,参与了《龙珠Z:诸神之战》,为这部2013年的电影带来了国际视角。
日本导演,执导了《龙珠Z》和《龙珠GT》超过150集,塑造了从那美克星篇到合体篇及之后的多个重要篇章。
日本导演,执导了《龙珠超》横跨多个篇章的十九集,引领了从破坏神比鲁斯篇到力量大会的动作场面。
日本动画师兼分镜师,其动画工作包括为《龙珠Z》绘制中割动画,并在该系列电影中担任支援角色。
一位多产的动画导演,掌舵了《龙珠Z》中段篇章的多集。他的经验横跨包括《美少女战士》和《光之美少女》在内的标志性系列。
东映动画一位多产的制片人,曾监制《龙珠Z》。她的职业生涯横跨数十年,从构思到发行管理着无数动画系列。
华裔美国导演,以《死神来了》系列闻名。执导了鸟山明《龙珠》的二零零九年真人版改编电影,由二十世纪福克斯发行,片名为《龙珠:进化》。
森下孝三是东映动画的资深从业者和系列导演,他的手印覆盖了龙珠Z最初的岁月、一连串院线电影,以及鸟山明世界之外一长串经典的东映作品。
备受赞誉的日本电影导演兼动画师,出生于一九六七年,曾为《龙珠Z》电影提供原画,并成为以《夏日大作战》和《狼的孩子雨和雪》等视觉震撼的原创作品而闻名的著名电影制作人。
出生于1968年的日本导演兼角色设计师,曾在《龙珠》和《龙珠Z》系列中担任动画中间画,同时在动画导演和设计领域发展自己的职业生涯。
冈崎稔是来自大阪的资深日本动画导演,他在阿拉蕾、龙珠和龙珠Z上的工作,帮助奠定了东映最早一批鸟山明改编作品的视觉基调。
日本导演兼分镜师,执导了三部《龙珠》电影和多部《龙珠Z》电影,包括《史拉格大王》《库拉的复仇》和《龙之怒》。
翻译正在进行中。以下条目暂以英文呈现,zh 翻译版本正在准备中。
American producer, director, and voice actor for Funimation who shaped the early English dubs of Dragon Ball. Voiced numerous minor characters while overseeing production for multiple series.
A versatile director and storyboarder who helmed an episode of Dragon Ball Super. His career spans dozens of anime productions across action, comedy, and slice-of-life genres.
A prolific director who helmed multiple episodes across Dragon Ball GT and Dragon Ball Super. His directorial output extends across dozens of major anime franchises spanning three decades.
Japanese anime director who directed and storyboarded several episodes of Dragon Ball Z, contributing to the anime's visual storytelling across the Saiyan and Frieza arcs.
Japanese anime director who directed 18 episodes of Dragon Ball Z and worked as assistant director on multiple Dragon Ball Z films, shaping the visual presentation of the franchise across television and cinema.
Japanese director who worked on Dragon Ball Super episode 104 as assistant episode director and directed episode 4 of the Super Dragon Ball Heroes ONA series.
Japanese director who directed episode 4 of Dragon Ball Daima and assisted on the series' first episode, contributing to the newest Dragon Ball anime continuation.
Japanese storyboard artist and director with extensive credits in anime television and OVA productions, contributing storyboard work to Dragon Ball's early episodes.
Japanese assistant episode director and director who worked on Dragon Ball GT episodes 61 and 64, and brought extensive directing experience from One Piece anime and theatrical releases.
Japanese producer who handled production advancement and management roles on Dragon Ball Super, Dragon Ball Z: Resurrection 'F', and the online Super Dragon Ball Heroes series.
Legendary Shueisha editor born in 1952 who discovered Akira Toriyama and edited Dragon Ball and Dr. Slump, later becoming editor-in-chief of Weekly Shonen Jump.
Japanese scriptwriter and director who directed multiple Dragon Ball films and TV episodes across the original series and Z.
Prolific Japanese director who helmed 41 Dragon Ball Z episodes, numerous GT episodes, and directed the theatrical film Super Android 13.
Japanese production supervisor who managed production for Dragon Ball GT, Dragon Ball Z films, and the OVA Dragon Ball: The Return of Son Goku and Friends.
Japanese production manager and advancement specialist who managed production logistics for Dragon Ball Z and Dragon Ball Z: Wrath of the Dragon.
Japanese anime producer who worked on Dragon Ball Z Kai and numerous other anime series production.
Japanese director who shaped the look of Dragon Ball Super through dynamic storyboards and episode direction across multiple sagas from the Universe 6 Tournament to the Tournament of Power.
Producer and planner at Yomiko Advertising who oversaw production logistics for Dragon Ball Super and directed early Dragon Ball Z Kai episodes, managing the creative and technical pipeline across the franchise's modern era.
Assistant director with minimal recorded Dragon Ball involvement, credited on episode 103 of Dragon Ball Z during the Frieza Saga as part of the directorial support team.
Prolific art director with Dragon Ball Z film credits who shaped the visual environments and backgrounds across the franchise, alongside work on one of anime's most extensive animation careers spanning Digimon, Precure, and One Piece.
Series planner at Toei Animation who shaped the narrative structure and pacing of the original Dragon Ball anime and orchestrated production of the franchise's earliest theatrical releases. Born August 8, 1941.
Director and storyboard artist who helmed key Dragon Ball Super episodes including the Universe 6 Saga battle and the Goku Black encounter, bringing dynamic framing and character focus to pivotal tournament moments.
Art director who contributed visual environments and background art to 39 Dragon Ball Z episodes across the Androids, Cell, and Majin Buu Sagas, shaping the anime's visual consistency during its most iconic period.
Japanese television executive and producer at Fuji Television who served as planning producer for the original Dragon Ball series, Dragon Ball GT, and Dragon Ball Z, as well as numerous Dragon Ball theatrical films throughout the 1990s and 2000s.
Production manager who oversaw day-to-day production logistics for Dragon Ball Super across all 108 episodes, managing scheduling, resource allocation, and technical workflow to keep the modern franchise on track.
Japanese director who served as series director for the opening and pivotal chapters of Dragon Ball Super, overseeing the visual direction from the Battle of Gods arc through the beginning of the Tournament of Power.
Japanese director and storyboard artist who served as series director for a significant portion of Dragon Ball Super's broadcast run, overseeing the visual direction of major story arcs.
Producer who oversaw Dragon Ball Z Kai's production, managing one of the franchise's most significant recuts and remasters while contributing to planning roles across Dragon Ball theatrical releases and modern streaming anime.
Producer and planner at Fuji TV who shaped Dragon Ball GT's production and served as planner for nine Dragon Ball Z theatrical films, overseeing the creative direction of major franchise installments during the post-original series era.
Director and animator who shaped Dragon Ball Super's visual execution, directing and assisting on multiple episodes while contributing in-between animation to keep the franchise's signature style intact across the modern era.
Director who shaped the visual launch of Dragon Ball Super, directing the series premiere and storyboarding early episodes that set the tone for the franchise's newest era while establishing continuity with decades of tradition.
Assistant director who worked on Dragon Ball GT's most pivotal storylines, supporting directorial work across the Baby, Super 17, and Shadow Dragon sagas while contributing scripts and in-between animation to multiple anime productions.
Assistant production manager who handled logistical oversight for Dragon Ball Z episodes and theatrical films, supporting the production infrastructure that enabled the franchise's continuation and theatrical success.
Japanese episode director who worked on Super Dragon Ball Heroes ONA series, directing the climactic Prison Planet Saga episode. He has contributed to directing duties on major anime franchises including One Piece and Digimon.
Japanese producer who oversaw production on Dragon Ball Z Kai's first 98 episodes, managing the ambitious remaster project that redefined the franchise for new audiences. His producing credits span iconic anime franchises across multiple decades.
American producer and voice actor who worked in early anime dubbing through Streamline Productions and Animaze, Inc. He later transitioned to video game production, becoming VP of Electronic Arts and Executive VP of Sammy Studios.
Japanese director who helmed key episodes of Dragon Ball Super, including critical moments in the Universe Survival saga, and contributed to storyboarding and directing across multiple anime productions.
Japanese planner and producer who oversaw the Super Dragon Ball Heroes online animated series, contributing to the franchise's digital expansion beyond traditional television broadcast.
Japanese director born in 1961 who helmed pivotal episodes during Dragon Ball Z's Cell Games saga and directed the cinematically ambitious Dragon Ball Z: Battle of Gods film, bringing visual innovation to the franchise.
Japanese director and storyboard artist known for work across numerous acclaimed anime productions including Ghost in the Shell: Stand Alone Complex and Princess Principal, with a single assistant director credit on Dragon Ball GT.
Japanese director who helmed episodes of Dragon Ball Super during the God of Destruction Beerus and Golden Frieza Sagas, including the climactic clash between Goku and Beerus.
Japanese director who directed five pivotal episodes of Dragon Ball Super's Universe Survival Saga and contributed storyboards to the film Dragon Ball Super: Broly.
Japanese producer and series planner who oversaw production of Dragon Ball Z Kai and contributed to Dragon Ball Super's planning at Fuji Television, managing broadcast logistics and creative oversight.
Japanese producer who served as production manager for the Dragon Ball anime series and early Dragon Ball Z. Kishimoto oversaw the logistical and scheduling side of multiple Dragon Ball films and the foundational television adaptation.
Japanese director who contributed to the Dragon Ball franchise through her work on the Super Dragon Ball Heroes ONA series. Asakura has built a career directing across multiple anime productions and film projects.
Japanese artist who worked in public relations for multiple anime productions and served as an inbetween animator on Dragon Ball Z. Her career bridged both production and promotional roles within anime television.
Japanese director who served as series director for Dragon Ball Super, overseeing directorial decisions across multiple arcs of the popular continuation series.
Japanese producer at Toei Animation whose credits include Dragon Ball Z Kai alongside a broader roster of acclaimed anime productions across the 2000s and 2010s.
Noriyuki Nakata is a Japanese production specialist who served as production advancer for Dragon Ball GT, managing scheduling and logistical aspects of the anime's creation.
Japanese director and animator from Sapporo known for directing Dragon Ball GT and helming numerous episodes across Dragon Ball, Dragon Ball Z, and other classic anime series.
Japanese planner who contributed to the development of Super Dragon Ball Heroes, the original net animation series.
Japanese producer who co-produced multiple Dragon Ball Z films in the early 1990s alongside Chiaki Imada.
Japanese director who served as assistant episode director and production advancement supervisor on Dragon Ball Super. Also directed the first episode of Super Dragon Ball Heroes ONA and worked on several Digimon and Precure productions.
Japanese director who served as series director for Dragon Ball Super episodes 77 through 131, overseeing the final arc of the franchise's major television continuation. Also worked extensively on Precure films and other anime productions.
Japanese episode director and storyboard artist who worked on Dragon Ball Daima episodes 7 and 16. Also directed episodes across Attack on Titan, The Promised Neverland, and numerous Precure productions.
Canadian producer and voice actress at Ocean Productions who directed the iconic Ocean Group dubs of Dragon Ball Z, shaping how generations of English-speaking fans experienced the series.
Japanese producer at Toei Animation who co-produced Dragon Ball Z, Dragon Ball GT, and multiple Dragon Ball films, overseeing production of some of the franchise's most iconic entries.
Japanese director and producer born in Hakodate known for helming multiple Dragon Ball Z films and key episodes of the television series. His directorial vision defined the theatrical releases of the franchise during the 1990s.
Japanese anime and film editor who shaped the final cut of Dragon Ball Z television episodes and theatrical releases. His editorial work ensured narrative pacing and visual coherence across the franchise's most ambitious projects.
Japanese anime director and producer who shaped Dragon Ball's visual storytelling as an episode director on Z and GT, and assistant director on nine theatrical Dragon Ball films.
Japanese episode director known for his work across a diverse range of anime series. He contributed directorial work to Dragon Ball Super during its broadcast.
Japanese episode director with extensive experience across anime productions. Iwai directed multiple episodes of Dragon Ball Super and episodes of Super Dragon Ball Heroes, bringing energy and precision to the franchise's tournaments and key battles.
Japanese episode director who contributed to both Dragon Ball Daima and Super Dragon Ball Heroes. Kiriyama helped bring energy to the latest Dragon Ball anime installments during recent production cycles.
Japanese producer who served as production manager for Dragon Ball Z during its run and on several theatrical films, overseeing scheduling, budget, and logistics for both episodic content and feature productions.
Japanese producer who brought Dragon Ball Z films to theaters as part of Toei's 1990 anime film showcase. He oversaw the production of multiple feature films during a significant period of Dragon Ball Z's theatrical expansion.
Japanese businessman and president of Toei Animation born in Fukuoka in 1930. As company leader, Takaiwa oversaw production of multiple Dragon Ball Z theatrical films and numerous other major anime adaptations.
Japanese anime director at Toei Animation who served as series director for Dragon Ball Super and directed the feature film Dragon Ball Super: Broly. He also directed multiple theatrical releases for One Piece and worked extensively on magical girl anime series.
Japanese episode director, assistant director, and storyboard artist who contributed directorial work to Dragon Ball and Dragon Ball Z. His involvement spanned both episodic television production and theatrical film projects within the franchise.
Japanese producer and planner who contributed to Dragon Ball GT and numerous other anime and film productions. His production and planning work at Toei Animation helped coordinate the development of multiple long-running series.
Japanese storyboarder and animator born in Nakatsu, Ôita, who contributed to the original Dragon Ball. Imazawa worked extensively as a director and storyboard artist across multiple anime and authored the storyboards for a key episode during Dragon Ball's Tournament Saga.
Japanese producer who oversaw production management on Dragon Ball Super's final episodes and multiple Dragon Ball Z theatrical films. Inagaki coordinated the complex logistics of high-profile anime productions and theatrical releases across the franchise's most celebrated recent works.
Japanese producer and planning director for anime and television series at Fuji TV. Tsuchiya oversaw planning and production on the original Dragon Ball series and served as producer on Dr. Slump, shepherd-guiding both of Akira Toriyama's flagship manga adaptations from conception through broadcast.
Japanese producer at Shueisha who produced multiple Dragon Ball Z theatrical films spanning the franchise's entire cinematic history. Anzai produced films from the Android-era through the Fusion and Kid Buu sagas, shepherding the theatrical side of Dragon Ball through its most prolific film period.
Japanese planner who worked on Dragon Ball GT production, contributing to the franchise's continuation beyond the original series under Fuji TV.
Japanese director who worked on Dragon Ball Super as an episode director and storyboard artist, contributing to multiple sagas of the franchise's modern continuation.
Japanese director and animator who directed episode 83 of the original Dragon Ball and storyboarded two early episodes, contributing directorial vision to the franchise's foundational series.
Japanese assistant episode director who contributed to production advancement on the original Dragon Ball and Dragon Ball Z, assisting key directorial work across the franchise.
Japanese production advancer who oversaw production logistics for Dragon Ball GT episodes and multiple theatrical Dragon Ball Z films throughout the 1990s.
Japanese anime producer for Toei Animation who produced multiple Dragon Ball Z theatrical releases and contributed to numerous other anime adaptations of major manga franchises.
Japanese editor and producer who served as editor of V-Jump magazine during Dragon Ball Super's publication run, overseeing the manga's serialization.
Japanese producer who oversaw production on the Super Dragon Ball Heroes project, managing the online animated series based on the trading card game.
Japanese director who contributed to the Dragon Ball Heroes ONA, directing multiple episodes including the Universe Creation and New Space-Time War Sagas.
Japanese director who directed multiple episodes of the Super Dragon Ball Heroes animated series, helming pivotal storyline moments from the Universe Creation and New Space-Time War Sagas.
Japanese director and series director for Dragon Ball Z Kai, the modernized remastering of Dragon Ball Z. Nowatari helmed the entire series from production through its conclusion.
Japanese producer and planner known for oversight roles on major anime productions. Matsusaki contributed planning work to Dragon Ball Z Kai, the remastered compilation series that reintroduced DBZ to modern audiences.
Japanese production manager and advancement specialist who oversaw Dragon Ball Z's production logistics. Yanagi's organizational work ensured smooth production flow during the franchise's flagship series run.
Director at Toei Animation who directed episodes across the original Dragon Ball series and all Dragon Ball Z sagas, plus directed several theatrical films including Bojack Unbound and Bio-Broly.
Japanese producer who served as planner for the Super Dragon Ball Heroes web series. Involved in production committee work for major theatrical films.
Japanese production manager and assistant director who worked on Dragon Ball films and episodes. Notably produced Cooler's Revenge and assisted with five additional Dragon Ball theatrical releases.
Japanese director known for his work on Dragon Ball Super and Dragon Ball Daima. Tsuzuki contributed to multiple episodes across the Universe Survival Saga and Daima, helping guide the franchise's animation during its modern era.
Japanese episode director who worked on Dragon Ball Super episodes and the Dragon Ball Super Broly film. Regular contributor to Precure anime series as episode director.
Japanese episode director who directed episodes 38 and 47 of the original Dragon Ball series. Worked across multiple anime series as storyboard artist and director.
Japanese director and producer who worked on Dragon Ball Super, directing episodes from the Golden Frieza Saga and Universe Survival Arc that showcased major story turning points.
Shueisha editor and Akira Toriyama's second editor on Dragon Ball, overseeing the series during its peak popularity through the Cell Saga. Kondō introduced major plot elements that defined the franchise.
Japanese public relations professional who worked with Fuji Television on publicity for Dragon Ball Z and coordinated advertising campaigns for Dragon Ball Z specials.
Japanese director who worked on Dragon Ball as an episode director and storyboarder, contributing to multiple episodes across the original series' runs.
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