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Prisoners

EpisodeEp. 151

Guts, Luca and Isidro set out to breach the Tower of Conviction, while inside its walls Casca and Nina sit caged amid the screams of the tortured. When the torturers come, Nina is hauled off to face the interrogation room first.

Publication Date: 1999-11-12

Main Characters (6)

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Summary

Guts, Luca and Isidro ready themselves to break into the Tower of Conviction and free Casca and Nina. Guts would rather go alone, but Isidro is set on making him owe a debt and Luca genuinely cares for the girls, so he relents and lets them come. They leave Luca's prostitutes with instructions to flee Albion if Luca dies. As they travel, dread seeps into Guts and he recalls the Skull Knight's warning that the coming festival cannot be escaped. From the tip of the statue crowning the tower, the mysterious being watches the three draw near.

Inside, Puck flits about hunting for the two women and nearly runs afoul of a pair of guards, who dismiss the unseen elf as a bat. That they notice him at all leaves Puck puzzled. Casca and Nina, meanwhile, are locked in a cramped, lightless, windowless cell where the only sound is the shrieking of prisoners being tortured elsewhere in the tower.

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Key Events

Nina is paralyzed with fear while Casca cannot even register their plight, though she still soothes Nina when the girl clings to her. Begging Casca to conjure some escape brings no reply, and in frustration Nina shoves her down and blames her for everything, only to regret the outburst and apologize at once. At that moment the Imp and the Bubblehead, two of Mozgus' underlings, enter and seize Casca to lead her off. Nina wavers over whether to volunteer in Casca's place, but the choice is stripped from her: repulsed that she never offered herself up, the Imp decides Nina will go first, leaving Casca behind in the cell.

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Notes

Bound at the wrists and marched off, Nina stares at her hands in self-loathing for having even weighed abandoning Casca. The Imp reveals they were told the cult's leader is a woman and reasons that the witch must be either Nina or Casca, since they are the last two women among the heretics left to question. The temptation to name Casca as the witch, and perhaps delay her own end, gnaws at Nina, but she resolves to stay silent and be brave for Luca's sake. What nerve she has crumbles the instant she enters the torture chamber: at the sight of bodies strung from the ceiling she nearly collapses and wets herself, and as she is dragged past the instruments and their victims she silently begs Luca to come save her.

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Frequently Asked Questions

Why do Guts, Luca, and Isidro go to the Tower of Conviction?

Guts, Luca, and Isidro set out to breach the Tower of Conviction in order to free Casca and Nina, who are being held captive inside.

What is the condition of Casca and Nina's cell in "Prisoners"?

Casca and Nina are locked in a cramped, lightless, windowless cell where the only sound they hear is the shrieking of prisoners being tortured elsewhere in the tower.

Who comes to take Nina and Casca from their cell first?

The Imp and the Bubblehead, two of Mozgus' underlings, enter the cell and initially move to take Casca, but the Imp decides to take Nina first instead after she hesitates to volunteer herself.

Why does Nina feel guilty in this chapter?

Nina feels guilty after shoving Casca down in frustration and briefly considering naming Casca as the heretic witch to save herself, though she resolves to stay silent and be brave for Luca's sake.

What warning does Guts recall as he approaches the tower?

Guts recalls the Skull Knight's warning that the coming festival at the Tower of Conviction cannot be escaped, filling him with a growing sense of dread as they travel toward Albion.

Sources & Information

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This content is original writing by Daddy Jim Headquarters based on the Berserk anime series, manga, and official materials. Berserk was created by Kentaro Miura, published by Hakusensha, and animated by OLM. All rights to Berserk and its characters belong to their respective owners. Episode and chapter references are cited where applicable.

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Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to OLM and Hakusensha.
  • Game pages: official box art, credited to the game's respective publishers.
  • Manga chapter pages: volume covers, credited to Hakusensha and Kentaro Miura.

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