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Boy in the Back Alley

EpisodeEp. 72

Overhearing that even Casca means to send him away, Griffith spirals through dreams of the proud man and peaceful family he can never reclaim, then seizes the reins and flees. A wagon crash and a failed suicide leave him broken in a river, where his lost crimson beherit finds its way back to his hand.

Publication Date: 1996-01-12

Main Characters (3)

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Summary

Only feigning sleep, Griffith overhears Casca and Guts and slips into a vision. In an endless white expanse he lies in his mask and bandages until a shadow falls across him: a robust, proud version of himself in full armor, who plants a falchion in the ground and points toward the distant castle he had longed for as a boy. Leaning on the sword as a crutch to lift himself, the frail Griffith watches his childhood self dash past insisting their game is not finished, and the void reshapes into the city of his youth as the boy runs off into a bright light while Griffith moans after him.

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Key Events

Guts and Casca are stunned to see the horses hauling Griffith's cart away; Casca guesses he overheard them and took the reins to escape. Doubting the leader could manage such a feat, Guts nonetheless mounts another wagon to give chase while Casca runs to alert the rest of the band. With a riding crop clenched in his teeth, Griffith pursues the vision of his younger self until a wheel strikes a large rock and hurls him from the cart. Sailing through the air, he falls into a second vision in which a healthy Griffith shares a quiet domestic life with Casca, the band's insignia hanging on the wall and a small boy named Guts playing outside with a dog.

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Notes

The peaceful scene turns when a beherit rises out of his soup and jolts him awake, lying in a shallow river with his arm broken and bone jutting from the elbow. He bursts into laughter, then lays his neck over a sharp branch protruding from a nearby log and forces himself down, but pulls back at the last second and takes only a shallow puncture. Trembling and thrashing in the water as the sun sets, he notices something familiar on the riverbed and yanks it free: his crimson beherit, hanging from his wrist by the cord he once wore as a necklace. The chapter belongs to the Golden Age Arc and first ran in Young Animal issue 2.

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Frequently Asked Questions

Why does Griffith flee in the cart in Boy in the Back Alley?

In Boy in the Back Alley, Griffith overhears Casca and Guts talking about sending him away, so he seizes the reins of his cart and flees, driven partly by a vision of his healthy former self urging him toward a distant castle.

What happens when Griffith's cart crashes?

A wheel strikes a large rock and throws Griffith from the cart, sending him into a vision of a peaceful domestic life with Casca and a small boy named Guts playing outside with a dog.

Does Griffith try to end his life in this chapter?

Yes, after waking injured in a shallow river with his arm broken, Griffith presses his neck against a sharp branch and forces himself down, but pulls back at the last second and takes only a shallow puncture.

What does Griffith find in the river at the end of the chapter?

Griffith finds his crimson beherit, still hanging from his wrist by the cord he once wore it on as a necklace.

What does Griffith see in his first vision of a white expanse?

Griffith sees a robust, healthy version of himself in full armor who plants a sword in the ground and points toward the distant castle he had longed for as a boy, then watches his own childhood self run off toward it.

Sources & Information

Looking for more on Boy in the Back Alley? The Berserk Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Berserk anime series, manga, and official materials. Berserk was created by Kentaro Miura, published by Hakusensha, and animated by OLM. All rights to Berserk and its characters belong to their respective owners. Episode and chapter references are cited where applicable.

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Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to OLM and Hakusensha.
  • Game pages: official box art, credited to the game's respective publishers.
  • Manga chapter pages: volume covers, credited to Hakusensha and Kentaro Miura.

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