A walking clocktower of an Angel, the Seventh strides across the ocean in Evangelion: 2.0 You Can (Not) Advance, shrugging off naval bombardment while its twin faces spin like opposing clock hands. Its one secret, a decoy core, makes it the debut kill for Asuka Shikinami Langley.
The Angel towers as a bipedal figure assembled from many geometrically similar pieces, each sharply pronged in four directions. A long neck lifts a head bearing two faces set back to back, both recalling Sachiel; one is red and longer than its twin, and each rotates leftward so the pair sweep in opposite directions like the hands of a clock. Ring structures suggesting halos sit at its hips.
Directly beneath the head hangs a mock core. Shattering it takes the head with it and briefly scatters the whole body, but the deception ends there: the genuine core rides in a swinging pendulum at the tail's tip, a big red mass bearing four eyes, and that appendage arcs forward to serve as a new head while the body swiftly knits itself back together.
Its head can briefly warp into a dark cross, from which it releases two kinds of attack: cross-shaped detonations and dart-like projectiles that trail black streaks through the air. To travel it simply walks on the sea, its A.T. Field flash-freezing the water under every footfall, and its gait is accompanied by the ticking of a clock.
Crossing the ocean toward Japan, the Angel absorbs sustained shelling from at least ten frigates without harm, then answers by spinning its heads and hurling cross blasts that fling the warships skyward and snap them in half. Because of the creature's sheer scale, Unit-02 launches with the flight-capable S-Type aerial equipment, and Asuka finishes the fight by firing the Super-Electromagnetic Crossbow MM-144, punching a spike through every layered A.T. Field and into the true core.
The battle exists because the corresponding television fight could not be reused; according to Kazuya Tsurumaki the original art for Episode 08 had been lost, so the fish-like Gaghiel was replaced with an entirely new design and engagement. Assistant director Daizen Komatsuda pitched the idea of a drinking-bird toy, Shigeto Koyama refined the silhouette and head and devised the water-freezing footsteps, and Hideaki Anno contributed the truss construction and rotating clock head, drawing on the Toshiba IHI Pavilion from the 1970 Osaka Expo.

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The Seventh Angel crosses the ocean toward Japan, shrugging off shelling from at least ten frigates and hurling cross shaped blasts that snap the warships in half. Unit-02 launches with flight capable S-Type aerial equipment to intercept it before it can reach land.
The Seventh Angel is a towering bipedal figure built from geometrically similar, sharply pronged pieces, with a long neck supporting a head that has two faces set back to back. The faces rotate in opposite directions like the hands of a clock, and ring structures resembling halos sit at its hips.
The Seventh Angel hides a decoy core just beneath its head, so destroying that mock core only scatters the body temporarily. Its true core rides inside a big red, four eyed mass at the tip of a swinging pendulum tail, which can snap forward to serve as a new head.
Asuka Shikinami Langley defeats the Seventh Angel by firing the Super-Electromagnetic Crossbow MM-144, punching a spike through every layered A.T. Field and into the Angel's true core. It stands as her debut kill as an Evangelion pilot.
The Seventh Angel exists because the original television fight could not be reused. The art for the corresponding episode featuring the fish-like Angel Gaghiel had been lost, so the production designed an entirely new Angel and battle in its place.
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