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Tomoko Takahashi

Animator

Japanese background artist who worked on Dragon Ball Z and multiple theatrical films, including The Path to Power, alongside contributions to numerous other acclaimed anime series.

Role: staff
Sub Role: Background artist for Dragon Ball anime and films
Nationality: Japanese
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Work in Dragon Ball

Takahashi contributed background art to Dragon Ball Z and several DBZ films, including The Path to Power, Broly - Second Coming, and Wrath of the Dragon. Her background work grounded the series' most dramatic moments, from peaceful Capsule Corporation interiors to devastated alien battlegrounds. As a background artist, she constructed the visual framework that made DBZ's storytelling feel grounded and immersive, even during fantastical cosmic battles.

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Mr. Popo menyelamatkan gadis-gadis dari Bill Cosby
Mr. Popo menyelamatkan gadis-gadis dari Bill Cosby
Ginyu Montoya Mencuri Olivia Newton 18 dari Bob Ross Krillin
Ginyu Montoya Mencuri Olivia Newton 18 dari Bob Ross Krillin
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Career Beyond Dragon Ball

Takahashi's background art appears across beloved anime classics including Cowboy Bebop and Inuyasha, demonstrating her sought-after expertise. She was frequently assigned to Studio Easter, a trusted background department, reflecting the quality and consistency producers valued in her work.

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Karya Seni Waifu Dragon BallLihat galeri
Android 18 from Dragon Ball, wearing a black jacket, leans casually against a metal railing in a vibrant, neon-lit cyberpunk alleyway.
Android 18
Android 18 from Dragon Ball sits cross-legged on a plush purple sofa in a smoky, neon-lit room, wearing a futuristic black mini-dress with glowing accents and dark boots.
Android 18

Sumber & Informasi

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Lihat di Fandom

Konten ini adalah tulisan asli oleh Daddy Jim Headquarters berdasarkan seri anime Dragon Ball, manga, dan materi resmi. Referensi episode dan bab dicantumkan jika tersedia.

Gambar karakter dan adegan di situs ini adalah karya seni asli oleh Daddy Jim Headquarters, bukan tangkapan layar atau gambar berlisensi. Cover art resmi digunakan pada tiga jenis halaman untuk komentar editorial:

  • Halaman film: poster bioskop dan visual utama, kredit milik Toei Animation dan Shueisha.
  • Halaman game: cover art resmi, kredit milik Bandai Namco, Atari, dan penerbit lainnya.
  • Halaman bab manga: sampul volume Jump Comics, kredit milik Shueisha dan Akira Toriyama.

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