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Sei Asaki

Character

Sei Asaki was the former chairman of the JAA and the elder brother of the assassin known as Slur. As the man who warped Kei Uzuki into a force bent on tearing down the association, he casts a long shadow over the series as its overarching villain.

Eyes: black
Hair: white with a black streak
Gender: Male
Status: Deceased
Aliases: Brother (by Uzuki)
Species: Human
Occupation: JAA Chairman, Head of Al-Kamar, JAA Executive (formerly)
Affiliation: JAA, JCC, Al-Kamar Orphanage
Japanese Name: 麻樹栖
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Appearance

Asaki was a man of ordinary height and frame. Sunken black eyes marked his face, and his short, messy white hair carried a dark streak near the forehead. He was most often seen in a formal suit.

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Personality

Detached yet deeply self-absorbed, Asaki chased his own freedom without limit and would use anyone to reach it, manipulating his family, killing the innocent, and holding children hostage as leverage. He fancied himself a lover of art, hoarding tens of thousands of pieces he could not even recall, hanging a priceless work in his bathroom and pawing at paintings despite every warning. Ambition fueled his rise, and a streak of cruelty ran through him: he grinned while admitting he had tricked Uzuki into killing Rion. For all his poise, genuine danger exposed a coward who lied, pleaded, and tried to guilt his brother into sparing him.

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History

Years before the main story, Asaki was a JAA executive who leaned on the orphans of Al-Kamar to force Uzuki into an attempt on the chairman's wife and daughter, accepting instead his brother's counteroffer to kill the Order's leader, Kindaka. He then engineered the chairman's murder and pinned it on the second-in-command, Satoru Yotsumura, aided by Yotsumura's own wife, Shino, who had married into the family as a plant. The scheme worked, and Asaki claimed the chairmanship for himself. A year later he traced Uzuki and Rion to their hideout and blackmailed his brother again, dangling the orphans' freedom to make him kill a skilled assassin who, unknown to Uzuki, was Rion herself. Once the deed was done, Asaki appeared to mock his brother's dream of a quiet life before slipping away.

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Frequently Asked Questions

Who is Sei Asaki in Sakamoto Days?

Sei Asaki is the former chairman of the JAA in Sakamoto Days and the elder brother of the assassin known as Slur. He is the man who warped his brother Kei Uzuki into a force bent on tearing down the association, casting a long shadow over the series as its overarching villain.

How did Sei Asaki become chairman of the JAA?

Sei Asaki engineered the JAA chairman's murder and pinned the blame on the second-in-command, Satoru Yotsumura, with help from Yotsumura's own wife Shino, who had married into the family as a plant. The scheme succeeded, and Asaki claimed the chairmanship for himself.

What is Sei Asaki's relationship to Kei Uzuki?

Sei Asaki is the older brother of Kei Uzuki, the assassin known as Slur. Uzuki refers to him simply as Brother, and Asaki manipulated him repeatedly throughout his life, including holding orphans hostage to force his cooperation.

What is Sei Asaki's personality like in Sakamoto Days?

Sei Asaki is detached yet deeply self-absorbed, chasing his own freedom without limit and using anyone to reach it. Despite his poise, genuine danger exposes him as a coward who lies, pleads, and tries to guilt his brother into sparing him.

What happened to Sei Asaki in Sakamoto Days?

Sei Asaki is deceased in Sakamoto Days. He debuted in Chapter 114 and served as the JAA chairman and head of the Al-Kamar orphanage before his death.

Sources & Information

Looking for more on Sei Asaki? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

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