Memo Memo no Mi

Falling under the Paramecia class, this fruit renders a person's recollections as strips of film that the wielder can rework. Charlotte Pudding is the one who ate it. Its name comes straight from the word memory, and Pudding compares the mind to a reel of film that keeps each individual's memories on record.

Plunging a hand into a target's skull, the user extracts their recollections as film strips and then edits them with scissors and paste, trimming frames to wipe a moment or splicing borrowed frames in to plant fresh ones. Cut frames can be held and kept for extended periods, and the extraction can hurt enough to knock the target out, giving the wielder room to move them and cement the ruse. Boundaries exist, however. In contrast to the Hobi Hobi no Mi, the power cannot touch the memory of an onlooker the user never noticed, so a witness who tells the truth undoes everything, and a victim may turn suspicious when clashing memories survive. Editing apparently demands a pair of scissors, and the ordinary seawater weakness holds.

Pudding leans on the fruit to erase whatever might betray her plots. Once she had shot and seized Vinsmoke Reiju and boasted about the wedding-day betrayal, she stripped away Reiju's memory of the meeting and swapped in the false belief that a stray bullet had struck her, and she hoards other people's memories as material for edits like these. The power can also conjure wholly invented recollections, setting enemies at one another's throats, though the story later reveals that Big Mom pressed her into such cruelty against her own conflicted heart. Her named techniques take in Edit, which trades one memory for another and can replay the same doctored reel across many people, and Memories Fil: Flashback, threads spun from her palms that swamp anyone who touches them with old memories to throw them off.