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Omen

EpisodeEp. 160

Farnese confronts the hollowness of her faith as Guts battles on, the crow-man clamps its talons around his throat, and the Skull Knight swallows the egg-being's Beherit only to meet a colossus formed from the corpses of Albion's dead.

Publication Date: 2000-04-28
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Summary

Watching Guts trade blows with the wheel disciple, Farnese recognizes that the ordered, religious world she hides inside collapses every time he enters it, and concludes her faith is an illusion that dissolves in his presence. Guts, meanwhile, gains ground and shears the left wing from the baby-faced disciple. Isidro itches to join in and put the swordsman in his debt, but Jerome holds him back, knowing the boy cannot so much as scratch a pseudo-Apostle.

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Key Events

Mozgus longs to attack Guts himself until the crow-man checks him, insisting he finish burning the witch Casca. The inquisitor slips out through a gap in the wall with the twins as guards, leaving the crow-man behind. It unfurls its wings and rains sharpened feathers at Guts, who dodges the thrusting collar-spear but reacts too slowly as the creature soars overhead and locks its talons around his neck.

In the cave the egg-shaped Apostle admits to nudging events toward a coming pivotal moment by empowering the goat-man and Mozgus, yet insists fate has already fixed that moment and no one can prevent it, citing Luca's own role in bringing Casca to Albion. Before it can say why it confides all this, the Skull Knight plunges in and cleaves the bone statue in two as the Apostle escapes, its wish simply to have its story known. Sensing the being cannot yet die, the knight swallows its Beherit, seizes Luca, and leaps clear as the cave falls, only for the pair to face a vast black shape rising from the bodies of the starved refugees.

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Notes

This Conviction Arc chapter appeared in Young Animal issue 9 on April 28, 2000. It crystallizes Farnese's crisis of faith, escalates the rooftop duel, and pushes Albion toward the looming Incarnation Ceremony as the refugee corpses stir to life. Farnese, Mozgus, Guts, Nina, Jerome, Isidro, Puck, Casca, Luca, the egg-shaped being, and the Skull Knight feature.

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Frequently Asked Questions

What happens to Farnese in Episode 160 of Berserk?

In "Omen," Farnese watches Guts fight and realizes that the ordered, religious world she hides inside collapses every time he enters it. She concludes that her faith is an illusion that dissolves in his presence.

How does Guts's fight with the crow-man go in this chapter?

Guts gains ground against Mozgus's disciples, shearing the left wing from the baby-faced disciple. The crow-man then rains sharpened feathers at him and locks its talons around his neck when he reacts too slowly.

Why does Mozgus leave the crow-man behind in Episode 160?

Mozgus wants to finish burning the witch Casca himself rather than fight Guts. He slips out through a gap in the wall with the twins as guards, leaving the crow-man behind to face Guts alone.

What does the egg-shaped Apostle admit about its plans in this chapter?

The egg-shaped Apostle admits to nudging events toward a coming pivotal moment by empowering the goat-man and Mozgus. It insists that fate has already fixed that moment and no one can prevent it, citing Luca's own role in bringing Casca to Albion.

What happens to the Skull Knight and Luca at the end of Episode 160?

The Skull Knight plunges into the cave and cleaves the egg-shaped Apostle's bone statue in two as the being escapes. Sensing it cannot yet die, he swallows its Beherit, seizes Luca, and leaps clear as the cave falls, only for the pair to face a vast black shape rising from the bodies of the starved refugees.

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This content is original writing by Daddy Jim Headquarters based on the Berserk anime series, manga, and official materials. Berserk was created by Kentaro Miura, published by Hakusensha, and animated by OLM. All rights to Berserk and its characters belong to their respective owners. Episode and chapter references are cited where applicable.

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Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

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  • Manga chapter pages: volume covers, credited to Hakusensha and Kentaro Miura.

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