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War Cry of the Wind (2)

EpisodeEp. 184

As Griffith's forces slaughter the Kushan, two more followers reveal themselves: the shadowy Rakshas and the dragon-armored Grunbeld. Watching through a bird's eyes from the hills, a young witch names Griffith not the Falcon of Light but the Falcon of Darkness.

Publication Date: 2001-08-10
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Summary

Zodd and Locus press on with their slaughter as Griffith watches and Sonia stands transfixed nearby. Deciding to seize the distracted Griffith, Silat sends his two Tapasa, who leap at him in unison, but midway through their jump both are struck down on either side of the girl. Their attacker is a small black shape no taller than her knee that rises into a cloaked figure, its face hidden behind a three-eyed mask trimmed with teeth. Disappointed in warriors he knows to be the finest of the Bakiraka, he is recognized by the Tapasa as Rakshas, a Kushan outcast.

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Key Events

Rakshas tells Griffith that the same oracle drew him here, vowing both to end his life one day and to guard him until then, and the smiling Falcon accepts him before Rakshas turns back to weave snakelike through the Tapasa's blows. Meanwhile the Kushan struggle to bar the main gate, only for it to burst inward and crush the nearest man. Through the wreckage strides a giant in dragon-styled armor, Grunbeld, bearing a warhammer and a draconic shield. He triggers a cannon blast from the shield's dragon maw, then extends twin blades from its base to butcher the terrified soldiers.

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Notes

A lone pikeman rushing into the keep finds its garrison already dead and a far wall burst open and burning, with dark figures standing silent among the flames. High above, a bird watches Griffith and his band before flying off to the hills, where it settles in the hands of a young green-haired girl, an elf perched on her pointed hat. Withdrawing her mind from the creature, Schierke concludes that Griffith is no Falcon of Light but the Falcon of Darkness, destined to bring the world pain and misery, while in the town Sonia sees only a fairy tale made flesh as the dragon-armored giant bows before him.

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Frequently Asked Questions

What is Berserk's "War Cry of the Wind" chapter about?

"War Cry of the Wind" is the two-part chapter title covering Griffith's assault on the Kushan-held city; Episode 184, the second half, reveals two more of his followers, Rakshas and Grunbeld, and introduces the witch Schierke, who dubs him the Falcon of Darkness.

Who is Rakshas, and how is he introduced in this chapter?

Rakshas is a Kushan outcast who appears as a small cloaked figure wearing a three-eyed, teeth-trimmed mask; he strikes down both of Silat's Tapasa warriors and tells Griffith the same oracle drew him there, vowing both to end Griffith's life someday and to guard him until then.

Who is Grunbeld, and what does he do to breach the Kushan defenses?

Grunbeld is a giant in dragon-styled armor who bursts through the barred main gate, then fires a cannon blast from his shield's dragon maw and extends twin blades to cut down the terrified Kushan soldiers.

What does Schierke conclude about Griffith after watching him through the bird's eyes?

Watching Griffith's group through a bird's eyes from the hills, the young witch Schierke concludes that Griffith is not the Falcon of Light but the Falcon of Darkness, destined to bring the world pain and misery.

How does Silat try to use the distraction to attack Griffith?

Silat tries to seize the distracted Griffith by sending his two Tapasa warriors to leap at him in unison, but Rakshas strikes them both down midair before they can reach him.

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This content is original writing by Daddy Jim Headquarters based on the Berserk anime series, manga, and official materials. Berserk was created by Kentaro Miura, published by Hakusensha, and animated by OLM. All rights to Berserk and its characters belong to their respective owners. Episode and chapter references are cited where applicable.

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Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

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