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Homing

EpisodeEp. 250

A quiet interlude at the reborn band's camp trades battle for longing. Charlotte bakes an excuse to reach Griffith, Sonia returns from Vritannis flush with new bonds, and a nighttime talk beside Irvine's fire draws out how solitude marks the medium, the hunter, and the distant queen alike.

Publication Date: 2005-06-24
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Summary

Dressed as a commoner and helped along by Anna, Charlotte finishes a batch of sweets meant for Griffith. She plans to use them as a pretext to visit him, and though Anna suggests she simply go, Charlotte worries that dropping in on a whim would only pull him away from his responsibilities. Anna quietly reflects that the princess has not looked this content since the Kushan swept into the kingdom.

On her way, Charlotte spots Griffith standing by himself atop a hill, gazing toward an approaching column. His figure strikes her as something out of a painting, so untouchable that she freezes. Before she can close the distance, the column turns out to be Sonia, Mule, and the Kushan children coming back from Vritannis. Sonia bounds up and throws her arms around Griffith, who greets her warmly, and she reports gaining a new friend while Mule earned a rival.

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Key Events

Noticing Charlotte at the base of the hill, Sonia watches her nervously offer the confections to everyone present. With a knowing glint, Sonia grabs the treats and passes them around to all except Charlotte. Griffith praises the baking, and the brief hush that follows is broken by Mule, who tugs Sonia off and explains that Charlotte, as Griffith's lover, has had no private moment with him and cannot get one while the two of them hover nearby. Souring at once, Sonia shoves her share into Mule's mouth and stalks away.

Come nightfall, Sonia wanders along a shallow creek and finds Irvine seated alone before a fire, playing a lute. Given leave, she settles in to warm herself and remarks that he is forever by himself, to which he answers that solitude is where a hunter feels most at ease. He calls himself an exception among hunters, describing how the chase erodes his sense of time until he becomes little more than a beast prowling the dark.

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Notes

Sonia confides that her gift as a medium isolates her too, letting her perceive what ordinary people cannot and sealing her inside her own world, and she muses about the loneliness Charlotte endured for years in Wyndham. She drifts off, and Irvine drapes his coat over her before returning to his lute. In sleep she dreams of a kite and an owl at play in a forest, and of Griffith. This nineteen page chapter, part of the Millennium Falcon Arc and its Falconia Chapter, appeared in Young Animal issue 13 on 24 June 2005.

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Frequently Asked Questions

Who is Griffith's love interest in Berserk?

This chapter identifies Charlotte as Griffith's lover, noting that she has had no private moment with him since the reborn Band of the Falcon's return.

Why does Charlotte bring sweets to Griffith?

Charlotte bakes a batch of sweets as a pretext to visit Griffith, worried that dropping in on him with no reason would only pull him away from his responsibilities.

How does Sonia end up keeping Charlotte from being alone with Griffith?

Sonia grabs Charlotte's sweets and hands them out to everyone except Charlotte, and only leaves after Mule explains that Charlotte needs a private moment with Griffith that she cannot get while the two of them linger nearby.

What does Irvine tell Sonia about solitude?

Irvine tells Sonia that solitude is where a hunter feels most at ease, and describes how the chase erodes his sense of time until he becomes little more than a beast prowling the dark.

What does Sonia confide to Irvine about her own gift?

Sonia confides that her gift as a medium isolates her too, letting her perceive what ordinary people cannot and sealing her inside her own world.

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This content is original writing by Daddy Jim Headquarters based on the Berserk anime series, manga, and official materials. Berserk was created by Kentaro Miura, published by Hakusensha, and animated by OLM. All rights to Berserk and its characters belong to their respective owners. Episode and chapter references are cited where applicable.

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Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to OLM and Hakusensha.
  • Game pages: official box art, credited to the game's respective publishers.
  • Manga chapter pages: volume covers, credited to Hakusensha and Kentaro Miura.

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