The fifth episode of the 2019 anime's first season tests Tohru's sense of belonging when her grandfather's finished home means she is expected to move out, forcing her to weigh where she truly wants to be.
Word that her grandfather's renovations are done shakes Tohru's growing bond with the Sohmas and her faith in herself. Believing she has no right to stay, she prepares to leave, until Yuki and Kyo make plain that what matters is not their wishes but hers, and bring her back to the place she now calls home.
As she cooks dinner, Tohru remembers her mother once telling her it is fine to feel discouraged now and then. Deciding she cannot truly become family with the Sohmas, she announces her departure, leaving Yuki and Shigure with advice on meals, chores, and trash days along with her new address. On the way she recalls the childhood fruits basket game, where she was named the rice ball and left out because a rice ball is not a fruit.
At her grandfather's house, relatives question her about living among only men, and her grandfather strikes the accuser, telling Tohru she need not endure any unpleasantness and may stay wherever suits her best. Torn, she misses the Sohmas and wishes to know Yuki and Kyo better. Back at the house, Kyo had bristled at how her family uprooted her without regard for her wishes. Under the pretense of looking for nail clippers, he chases after Yuki, who has taken Tohru's memo to find her address.
The two overhear the harsh words aimed at Tohru and resolve that her wishes come first. Yuki appears before her and tells her to come home, and Tohru, in tears, realizes home is now wherever they are. Walking hand in hand with both boys, she feels like the luckiest person alive, while Shigure marvels that he has never seen Yuki so undone and tells her the imperfect house is hers if she wants it.

Naruto vs Luffy with the twist nobody asked for: Luffy tickled Hinata on date night, and she kind of liked it. We break down the whole fight and commit to a winner....

There are no women on Namek. That isn't an oversight, it's the biology. Why we handed Piccolo the one thing his own species rules out, and why it had to be trap soul....
The title is taken from a line of Tohru's. Adapting a single chapter, the episode opens with an anime-only scene of Tohru cooking and recalling her mother's words about it being fine to be selfish. Because chapter 8's material was moved into the earlier episode Let's Play Rich Man-Poor Man!, Kyo's reflection on Tohru's rice ball metaphor was folded into his flashbacks here. The extended sequence of Kyo and Yuki finding the grandfather's house and overhearing the family quarrel was also created for the anime.
"I've Been Fooling Myself" finds Tohru's bond with the Sohmas tested when she learns her grandfather's renovated house is finished, prompting her to believe she must move out and leave the family she has grown to love.
Tohru decides she cannot truly become family with the Sohmas and announces her departure, leaving Yuki and Shigure notes about meals, chores, and trash days along with her new address.
Relatives question Tohru about living among only men, and when one of them insults her, her grandfather strikes the accuser and tells Tohru she may stay wherever suits her best.
Yuki and Kyo overhear the harsh words aimed at Tohru at her grandfather's house and resolve that her own wishes matter most. Yuki then tells her to come home, and Tohru realizes home is now wherever they are.
The title is taken from a line spoken by Tohru Honda.
Looking for more on I've Been Fooling Myself? The Fruits Basket Wiki on Fandom has a dedicated page with community notes.
View on FandomThis content is original writing by Daddy Jim Headquarters based on the Fruits Basket anime series, manga, and official materials. Fruits Basket was created by Natsuki Takaya, published by Hakusensha, and animated by TMS Entertainment. All rights to Fruits Basket and its characters belong to their respective owners. Episode and chapter references are cited where applicable.
Rights holders
All rights belong to their respective owners.
Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:
Official resources:
Daddy Jim Headquarters maintains this encyclopedia. If you spot an error, a translation issue, or something that doesn't look right, let us know.