Yorozu

Standing tall on an athletic build, Yorozu had fair skin, pale eyes, and long dark hair set off by thick brows that rounded softly toward the inner edges. In her original Heian body she went almost entirely unclothed; on the day Sukuna first crossed her sight she wore nothing more than a loosely untied haori.

Once she had seized Tsumiki Fushiguro's body to enter the Game, Yorozu left the borrowed features untouched and assembled a combat wardrobe instead. A sleeveless dark bodysuit joined loose pale trousers tucked into boots, the look finished by dark armbands linked to a length of wing-shaped cloth trailing from her back.

Bold, wild, and entirely out to please herself, Yorozu drew the contempt of the Heian capital's refined nobles, who wrote her off as a country bumpkin. The tag suited both her rural Aizu upbringing and her coarse conduct. Etiquette held no interest for her, fashionable customs lay beyond her grasp, she liked to forgo clothing, and she waved off her attendant's appeals for restraint, unbothered even by the punishments such lapses earned. Her obsession with Sukuna kindled the moment she saw him, turning into a craving to soothe his loneliness with her love and, in the same breath, on personally striking him down so that his solitude would become hers alone.

That fixation persisted across a thousand years and led her into the Culling Game in search of the mightiest foe, Sukuna. Caring for no one but herself, she wore Tsumiki's persona as a disguise to fool Megumi Fushiguro, then gleefully dropped the act to taunt him as his older sister. On finally reuniting with Sukuna, she sealed a binding vow that they would marry should she defeat him, a notion that hurled her into rapturous fantasies of razing villages and feasting in triumph. Even in defeat she shed tears of joy that he had read her technique so exactly, gifting him a keepsake as her life ended.

Yorozu ranked among the elite sorcerers of the Heian golden age, holding her ground in a period of overwhelming cursed techniques even though her own burned energy with rare inefficiency. As a hardened veteran she turned that weakness into invention, engineering shrewd workarounds and a combat style that defeated the Toh's Five Empty Generals and earned her formal acknowledgment from the Fujiwara clan. Through the Culling Game she traded nearly even blows with Sukuna, landing several clean hits and weathering his Ten Shadows Technique, yet never managing to goad him into his own innate technique before it finally overwhelmed her.

Her innate technique, Construction, allowed her to recreate nearly any substance she recognized, the sole exception being special cursed tools. Conjuring matter from nothing cost vast cursed energy, but her reserves matched the Heian powerhouses, letting her churn out large constructs in sequence without fatigue, betraying strain only through a nosebleed after her ultimate build. Her creations spanned high-speed insect wings, an adaptable liquid metal weapon guided by semi-autonomous cursed energy, and an Insect Armor of flesh modeled on a carapace's efficiency to heighten her strength, speed, and durability. Her True Sphere, a perfect ball formed from liquid metal, produced infinite pressure and grew unstoppable once she widened her domain. That domain, Threefold Affliction, was a near-empty expanse strung with oversized organic shapes, its sure-hit effect bound to her constructs so anything trapped within could be obliterated at her command.