Suzuki worked as a painter on the original Dragon Ball anime, handling ink and paint duties on multiple episodes. This foundational role involves applying color to animated cels and ensuring consistency across scenes. Her work on episodes 17, 31, and 40 of Dragon Ball helped establish the series' warm, vibrant color palette during its early run, contributing to the accessible, friendly look that attracted audiences to the franchise's television adaptation.
Beyond Dragon Ball, Suzuki contributed color design and color setting work across numerous anime including Black Cat and Rosario + Vampire, demonstrating expertise in establishing and maintaining consistent color schemes across production pipelines. Ink and paint artists are essential to anime's final visual presentation.
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