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Miki Ugai

Japanese animator who contributed both inbetween animation and key animation frames to Dragon Ball and Dragon Ball Z. Her work helped define the visual fluidity of multiple major sagas across both series.

Role: staff

Sub Role: In-between and key animator across Dragon Ball and Z

Nationality: Japanese

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Dragon Ball Animation Contributions

Miki Ugai worked on the original Dragon Ball series as an inbetweener, creating the transitional frames across 21 episodes spanning the Emperor Pilaf Saga through the Piccolo Jr. Saga. Her contributions included some of the most visually memorable moments, from Yamcha's battles in the early sagas to the intense Piccolo Jr. tournament fights. She demonstrated the technical skill required to maintain animation quality across a weekly production schedule while handling both pivotal and quieter character moments.

Her work on Dragon Ball Z elevated her role; Ugai worked as a key animator on the series, handling 10 episodes with Shindo Pro and providing key frames that established character poses and action choreography. She animated pivotal moments in the Namek Saga through the Cell Games Saga, including Frieza's transformation and major battle sequences that defined the Z era's escalating power levels.

최근 동영상전체 보기

Mr. Popo가 빌 코스비로부터 소녀들을 구하다

Ginyu Montoya가 Bob Ross Krillin에게서 Olivia Newton 18을 훔친다

Mr. Popo가 빌 코스비로부터 소녀들을 구하다

Ginyu Montoya가 Bob Ross Krillin에게서 Olivia Newton 18을 훔친다

Mr. Popo가 심지어 Goku의 여자까지 뺏고 있다

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Film and Diverse Animation Work

Ugai's filmography extended beyond Dragon Ball to include Saint Seiya, Yu Yu Hakusho, and the theatrical film Broly: Second Coming. Her work across multiple franchises demonstrated mastery of action animation and character dynamics. Whether handling the supernatural battles of Saint Seiya or the kinetic energy of Yu Yu Hakusho, Ugai maintained the technical excellence that earned her consistent work throughout the 1990s animation boom.

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