뒤로

감독

126

드래곤볼 세계의 모든 감독을 탐색하세요.

야마구치 아키히코

드래곤볼 텔레비전 시리즈와 극장 개봉작 전반의 제작을 관리한 일본 프로듀서로, 브로리 3부작과 신들의 전쟁을 포함한 여러 영화의 일정과 예산, 조율을 총괄했다.

나카무라 아키히로

슈퍼 드래곤볼 히어로즈 온라인 애니메이션 콘텐츠의 연출로 알려진 일본 감독으로, 현대 애니메이션 시리즈에서의 폭넓은 작업과 더불어 프랜차이즈의 디지털 애니메이션 확장에 기여했다.

나가오카 아키노리

나가사키 출신의 일본 감독으로 드래곤볼 콘티 작업을 하고 닥터 슬럼프 극장판과 리메이크 작품을 연출했으며, 오래도록 사랑받은 장수 시리즈 날아라! 호빵맨의 감독으로 더 폭넓은 인정을 받았다.

이토 아키오

슈퍼 드래곤볼 히어로즈 12화부터 44화까지의 기획을 조율한 일본 제작 기획자로, 나루토 프랜차이즈 작업과 더불어 이 온라인 애니메이션의 조직 및 제작 발전에 기여했다.

Akio Iyoku

아키오 이요쿠는 슈에이샤의 전직 편집자로, 토리야마 아키라의 드래곤볼 슈퍼 시대 주요 편집 파트너가 되어 만화의 흐름을 함께 만들어 갔으며, 현재는 슈에이샤가 현대 프랜차이즈 전체를 관리하기 위해 특별히 설립한 캡슐 코퍼레이션 도쿄의 사장을 맡아 운영하고 있는 핵심 인물이다.

야마구치 아키오

드래곤볼 슈퍼 우주 생존 편의 세 개 화를 연출한 일본 감독으로, 폭넓은 텔레비전 및 영화 연출 작업과 더불어 이 대회의 가장 극적인 순간들에 기여했다.

가자마 아쓰노리

드래곤볼 카이의 제작 진행을 총괄하고 여러 작품과 영화의 제작을 관리한 일본의 제작 책임자이다.

우메자와 아쓰토시

드래곤볼Z 에피소드를 연출하고 수많은 작품과 영화에서 제작 역할로 폭넓게 활동한 일본의 감독이자 프로듀서이다.

고마키 아야

드래곤볼 다이마를 연출하여 가장 새로운 드래곤볼 시리즈를 관객에게 선보였으며, 원피스를 비롯한 여러 작품 제작에서 폭넓은 경험을 지닌 일본의 감독이다.

칼리 헌터

퍼니메이션의 제작 부사장을 지낸 미국의 프로듀서. 원작 에피소드, 리마스터, 영화, 확장 사가를 포함하여 프랜차이즈 전반에 걸쳐 다수의 드래곤볼 시리즈를 제작했다.

Chiaki Imada

치아키 이마다는 도에이 애니메이션의 오랜 임원이자 프로듀서로, 드래곤볼 Z의 수많은 극장판 영화들의 제작 승인을 직접 내리고 그 전 과정을 감독하면서, 가장 거대한 극장판 전성기 10년 동안 이 프랜차이즈의 영화 부문 전체를 깊이 있게 빚어 낸 인물이다.

Daisuke Nishio

니시오 다이스케는 도에이 애니메이션의 감독으로, 원작 드래곤볼 애니메이션과 드래곤볼 Z 초기 시즌들의 시리즈 연출 전반을 직접 진두지휘한 인물이다. 그는 전 세계 대부분의 시청자들에게 처음으로 손오공이라는 캐릭터를 소개해 준 그 TV 시리즈의 호흡, 화면 구도, 그리고 작품 특유의 분위기 자체를 처음부터 설계해 빚어 낸 사람이다.

데라시 다이스케

슈에이샤 소속의 일본 편집자이자 프로듀서로, 드래곤볼 Z 극장판에 기획 협력을 제공하며 주요 개봉작의 제작 조율을 뒷받침했다.

이와쿠라 후미아키

트레이딩 카드 게임의 애니메이션 각색작인 슈퍼 드래곤볼 히어로즈의 제작 총괄에 기여한 일본의 기획자.

야노 가쿠

드래곤볼 다이마에서 활동한 감독이자 콘티 작가. 다이마 6화의 연출 감독을 맡았고 오프닝 애니메이션에 기여했다.

글로리아 로차

전설적인 멕시코의 더빙 감독이자 배우. 드래곤볼GT 영웅의 유산까지 드래곤볼 프랜차이즈의 라틴 아메리카 스페인어 더빙 전체를 연출하여 스페인어권 애니메이션 현지화의 거장이 되었다.

와카바야시 고

폭넓은 애니메이션 경력을 지닌 음악 및 제작 코디네이터. 드래곤볼Z 카이 66화부터 98화까지 프로듀서를 맡았고 드래곤볼 스페셜 오리지널 비디오 애니메이션의 기획을 감독하는 데 힘을 보탰다.

그라치아노 갈로포로

가에타에 거점을 둔 이탈리아의 더빙 감독이자 배우. 드래곤볼 슈퍼의 이탈리아어 더빙을 연출했고 미스터 포포를 비롯한 조연 캐릭터들의 목소리를 맡았다.

기아르마트 보그단

드래곤볼Z 신들의 전쟁에 참여한 루마니아 태생의 도에이 애니메이션 프로듀서로, 2013년 영화에 국제적 관점을 더했다.

가도타 히데히코

드래곤볼Z와 드래곤볼GT에 걸쳐 150편이 넘는 에피소드를 연출하며 나메크 편부터 퓨전 편을 거쳐 그 너머까지 주요 편들을 빚어낸 일본의 감독.

히로시마 히데키

여러 편에 걸쳐 드래곤볼 슈퍼 19편을 연출하며 파괴신 비루스 편부터 힘의 대회까지 액션 장면을 이끈 일본의 감독.

요시카와 히로아키

드래곤볼Z의 동화 작업과 프랜차이즈 전반의 극장판 지원 역할을 포함한 작화 작업을 수행한 일본의 애니메이터이자 콘티 작가다.

시바타 히로키

드래곤볼Z 중반 사가의 여러 에피소드를 이끈 다작 애니메이션 감독이다. 그의 경력은 세일러문, 프리큐어 등 상징적인 프랜차이즈를 아우른다.

세키 히로미

드래곤볼Z 제작을 총괄한 토에이 애니메이션의 다작 프로듀서다. 그녀의 경력은 수십 년에 걸쳐 수많은 애니메이션 프랜차이즈를 기획부터 배급까지 관리했다.

아오야마 히로시

드래곤볼 슈퍼의 한 에피소드를 이끈 다재다능한 감독이자 콘티 작가다. 그의 경력은 액션, 코미디, 일상물 장르를 아우르는 수십 편의 애니메이션 작품에 걸쳐 있다.

카쿠도 히로유키

드래곤볼GT와 드래곤볼 슈퍼에 걸쳐 여러 에피소드를 이끈 다작 감독이다. 그의 연출 활동은 30년에 걸쳐 수십 편의 주요 애니메이션 프랜차이즈를 아우른다.

제임스 웡

파이널 데스티네이션 프랜차이즈로 가장 잘 알려진 중국계 미국인 감독이다. 이십세기 폭스에서 드래곤볼 에볼루션이라는 제목으로 개봉한 토리야마 아키라의 드래곤볼 이천구년 실사 영화 각색판을 감독했다.

모리시타 코조

모리시타 코조는 토에이 애니메이션의 베테랑 시리즈 감독으로, 드래곤볼Z 초기 시절과 여러 극장판, 그리고 토리야마 아키라의 세계를 넘어선 다수의 고전 토에이 작품에 그의 흔적이 깃들어 있다.

호소다 마모루

천구백육십칠년에 태어난 호평받는 일본의 영화 감독이자 애니메이터로, 드래곤볼Z 영화의 원화에 기여했으며 썸머 워즈와 늑대아이 같은 시각적으로 놀라운 오리지널 작품으로 유명해진 저명한 영화 제작자가 되었다.

요시하라 마사유키

천구백육십팔년에 태어난 일본의 감독이자 캐릭터 디자이너로, 애니메이션 연출과 디자인 경력을 쌓는 동안 오리지널 드래곤볼과 드래곤볼Z 시리즈의 동화 작화에 기여했다.

Minoru Okazaki

오카자키 미노루는 오사카 출신의 베테랑 일본 애니메이션 감독으로, 닥터 슬럼프, 드래곤볼, 그리고 드래곤볼 Z에서 그가 직접 보여 준 작업들은 도에이 안에서 만들어진 가장 초기의 토리야마 원작 각색 작품들의 시각적인 톤 자체를 분명하게 잡아 가는 데 결정적인 도움을 준 인물이다.

하시모토 미츠오

세 편의 드래곤볼 극장판과 마계왕 슬러그, 쿨러의 역습, 용권폭발을 비롯한 여러 드래곤볼Z 영화를 연출한 일본의 감독이자 스토리보드 작가.

번역 준비 중

번역이 진행 중입니다. ko 번역이 준비되는 동안 이 항목들은 영어로 제공됩니다.

Barry Watson

American producer, director, and voice actor for Funimation who shaped the early English dubs of Dragon Ball. Voiced numerous minor characters while overseeing production for multiple series.

Johei Matsuura

Japanese anime director who directed and storyboarded several episodes of Dragon Ball Z, contributing to the anime's visual storytelling across the Saiyan and Frieza arcs.

Jun'ichi Fujise

Japanese anime director who directed 18 episodes of Dragon Ball Z and worked as assistant director on multiple Dragon Ball Z films, shaping the visual presentation of the franchise across television and cinema.

Kana Shinohara

Japanese director who worked on Dragon Ball Super episode 104 as assistant episode director and directed episode 4 of the Super Dragon Ball Heroes ONA series.

Kan Murakami

Japanese director who directed episode 4 of Dragon Ball Daima and assisted on the series' first episode, contributing to the newest Dragon Ball anime continuation.

Katsumi Endō

Japanese storyboard artist and director with extensive credits in anime television and OVA productions, contributing storyboard work to Dragon Ball's early episodes.

Katsumi Tokoro

Japanese assistant episode director and director who worked on Dragon Ball GT episodes 61 and 64, and brought extensive directing experience from One Piece anime and theatrical releases.

Katsunori Kobayashi

Japanese producer who handled production advancement and management roles on Dragon Ball Super, Dragon Ball Z: Resurrection 'F', and the online Super Dragon Ball Heroes series.

Kazuhiko Torishima

Legendary Shueisha editor born in 1952 who discovered Akira Toriyama and edited Dragon Ball and Dr. Slump, later becoming editor-in-chief of Weekly Shonen Jump.

Kazuhisa Takenouchi

Japanese scriptwriter and director who directed multiple Dragon Ball films and TV episodes across the original series and Z.

Kazuhito Kikuchi

Prolific Japanese director who helmed 41 Dragon Ball Z episodes, numerous GT episodes, and directed the theatrical film Super Android 13.

Kazumi Fujioka

Japanese production supervisor who managed production for Dragon Ball GT, Dragon Ball Z films, and the OVA Dragon Ball: The Return of Son Goku and Friends.

Kazumitsu Matsusaka

Japanese production manager and advancement specialist who managed production logistics for Dragon Ball Z and Dragon Ball Z: Wrath of the Dragon.

Kazutaka Satoh

Japanese anime producer who worked on Dragon Ball Z Kai and numerous other anime series production.

Kazuya Karasawa

Japanese director who shaped the look of Dragon Ball Super through dynamic storyboards and episode direction across multiple sagas from the Universe 6 Tournament to the Tournament of Power.

Kazuya Watanabe

Producer and planner at Yomiko Advertising who oversaw production logistics for Dragon Ball Super and directed early Dragon Ball Z Kai episodes, managing the creative and technical pipeline across the franchise's modern era.

Keiko Hashimoto

Assistant director with minimal recorded Dragon Ball involvement, credited on episode 103 of Dragon Ball Z during the Frieza Saga as part of the directorial support team.

Keito Watanabe

Prolific art director with Dragon Ball Z film credits who shaped the visual environments and backgrounds across the franchise, alongside work on one of anime's most extensive animation careers spanning Digimon, Precure, and One Piece.

Keizo Shichijo

Series planner at Toei Animation who shaped the narrative structure and pacing of the original Dragon Ball anime and orchestrated production of the franchise's earliest theatrical releases. Born August 8, 1941.

Ken'ichi Takeshita

Director and storyboard artist who helmed key Dragon Ball Super episodes including the Universe 6 Saga battle and the Goku Black encounter, bringing dynamic framing and character focus to pivotal tournament moments.

Kenji Matsumoto

Art director who contributed visual environments and background art to 39 Dragon Ball Z episodes across the Androids, Cell, and Majin Buu Sagas, shaping the anime's visual consistency during its most iconic period.

Kenji Shimizu

Japanese television executive and producer at Fuji Television who served as planning producer for the original Dragon Ball series, Dragon Ball GT, and Dragon Ball Z, as well as numerous Dragon Ball theatrical films throughout the 1990s and 2000s.

Ken Suetake

Production manager who oversaw day-to-day production logistics for Dragon Ball Super across all 108 episodes, managing scheduling, resource allocation, and technical workflow to keep the modern franchise on track.

Kimitoshi Chioka

Japanese director who served as series director for the opening and pivotal chapters of Dragon Ball Super, overseeing the visual direction from the Battle of Gods arc through the beginning of the Tournament of Power.

Kōhei Hatano

Japanese director and storyboard artist who served as series director for a significant portion of Dragon Ball Super's broadcast run, overseeing the visual direction of major story arcs.

Kohei Obara

Producer who oversaw Dragon Ball Z Kai's production, managing one of the franchise's most significant recuts and remasters while contributing to planning roles across Dragon Ball theatrical releases and modern streaming anime.

Kōji Kaneda

Producer and planner at Fuji TV who shaped Dragon Ball GT's production and served as planner for nine Dragon Ball Z theatrical films, overseeing the creative direction of major franchise installments during the post-original series era.

Kōji Kawasaki

Director and animator who shaped Dragon Ball Super's visual execution, directing and assisting on multiple episodes while contributing in-between animation to keep the franchise's signature style intact across the modern era.

Kōji Ogawa

Director who shaped the visual launch of Dragon Ball Super, directing the series premiere and storyboarding early episodes that set the tone for the franchise's newest era while establishing continuity with decades of tradition.

Kōji Tanaka

Assistant director who worked on Dragon Ball GT's most pivotal storylines, supporting directorial work across the Baby, Super 17, and Shadow Dragon sagas while contributing scripts and in-between animation to multiple anime productions.

Kouichi Hirose

Assistant production manager who handled logistical oversight for Dragon Ball Z episodes and theatrical films, supporting the production infrastructure that enabled the franchise's continuation and theatrical success.

Kyōsuke Yamazaki

Japanese episode director who worked on Super Dragon Ball Heroes ONA series, directing the climactic Prison Planet Saga episode. He has contributed to directing duties on major anime franchises including One Piece and Digimon.

Kyōtarō Kimura

Japanese producer who oversaw production on Dragon Ball Z Kai's first 98 episodes, managing the ambitious remaster project that redefined the franchise for new audiences. His producing credits span iconic anime franchises across multiple decades.

Louis Michael Haller

American producer and voice actor who worked in early anime dubbing through Streamline Productions and Animaze, Inc. He later transitioned to video game production, becoming VP of Electronic Arts and Executive VP of Sammy Studios.

Makoto Sonoda

Japanese director who helmed key episodes of Dragon Ball Super, including critical moments in the Universe Survival saga, and contributed to storyboarding and directing across multiple anime productions.

Mari Kakuwa

Japanese planner and producer who oversaw the Super Dragon Ball Heroes online animated series, contributing to the franchise's digital expansion beyond traditional television broadcast.

Masahiro Hosoda

Japanese director born in 1961 who helmed pivotal episodes during Dragon Ball Z's Cell Games saga and directed the cinematically ambitious Dragon Ball Z: Battle of Gods film, bringing visual innovation to the franchise.

Masaki Tachibana

Japanese director and storyboard artist known for work across numerous acclaimed anime productions including Ghost in the Shell: Stand Alone Complex and Princess Principal, with a single assistant director credit on Dragon Ball GT.

Masato Mikami

Japanese director who helmed episodes of Dragon Ball Super during the God of Destruction Beerus and Golden Frieza Sagas, including the climactic clash between Goku and Beerus.

Masato Mitsuka

Japanese director who directed five pivotal episodes of Dragon Ball Super's Universe Survival Saga and contributed storyboards to the film Dragon Ball Super: Broly.

Masato Seino

Japanese producer and series planner who oversaw production of Dragon Ball Z Kai and contributed to Dragon Ball Super's planning at Fuji Television, managing broadcast logistics and creative oversight.

Matsuji Kishimoto

Japanese producer who served as production manager for the Dragon Ball anime series and early Dragon Ball Z. Kishimoto oversaw the logistical and scheduling side of multiple Dragon Ball films and the foundational television adaptation.

Maya Asakura

Japanese director who contributed to the Dragon Ball franchise through her work on the Super Dragon Ball Heroes ONA series. Asakura has built a career directing across multiple anime productions and film projects.

Miho Fujimoto

Japanese artist who worked in public relations for multiple anime productions and served as an inbetween animator on Dragon Ball Z. Her career bridged both production and promotional roles within anime television.

Morio Hatano

Japanese director who served as series director for Dragon Ball Super, overseeing directorial decisions across multiple arcs of the popular continuation series.

Norihiro Hayashida

Japanese producer at Toei Animation whose credits include Dragon Ball Z Kai alongside a broader roster of acclaimed anime productions across the 2000s and 2010s.

Noriyuki Nakata

Noriyuki Nakata is a Japanese production specialist who served as production advancer for Dragon Ball GT, managing scheduling and logistical aspects of the anime's creation.

Osamu Kasai

Japanese director and animator from Sapporo known for directing Dragon Ball GT and helming numerous episodes across Dragon Ball, Dragon Ball Z, and other classic anime series.

Reina Fukuoka

Japanese planner who contributed to the development of Super Dragon Ball Heroes, the original net animation series.

Rikizō Kayano

Japanese producer who co-produced multiple Dragon Ball Z films in the early 1990s alongside Chiaki Imada.

Ryō Nanba

Japanese director who served as assistant episode director and production advancement supervisor on Dragon Ball Super. Also directed the first episode of Super Dragon Ball Heroes ONA and worked on several Digimon and Precure productions.

Ryōta Nakamura

Japanese director who served as series director for Dragon Ball Super episodes 77 through 131, overseeing the final arc of the franchise's major television continuation. Also worked extensively on Precure films and other anime productions.

Ryūta Kawahara

Japanese episode director and storyboard artist who worked on Dragon Ball Daima episodes 7 and 16. Also directed episodes across Attack on Titan, The Promised Neverland, and numerous Precure productions.

Sarah-Anne Dafoe

Canadian producer and voice actress at Ocean Productions who directed the iconic Ocean Group dubs of Dragon Ball Z, shaping how generations of English-speaking fans experienced the series.

Seiichi Hiruta

Japanese producer at Toei Animation who co-produced Dragon Ball Z, Dragon Ball GT, and multiple Dragon Ball films, overseeing production of some of the franchise's most iconic entries.

Shigeyasu Yamauchi

Japanese director and producer born in Hakodate known for helming multiple Dragon Ball Z films and key episodes of the television series. His directorial vision defined the theatrical releases of the franchise during the 1990s.

Shinichi Fukumitsu

Japanese anime and film editor who shaped the final cut of Dragon Ball Z television episodes and theatrical releases. His editorial work ensured narrative pacing and visual coherence across the franchise's most ambitious projects.

Takahiro Imamura

Japanese anime director and producer who shaped Dragon Ball's visual storytelling as an episode director on Z and GT, and assistant director on nine theatrical Dragon Ball films.

Takahiro Majima

Japanese episode director known for his work across a diverse range of anime series. He contributed directorial work to Dragon Ball Super during its broadcast.

Takao Iwai

Japanese episode director with extensive experience across anime productions. Iwai directed multiple episodes of Dragon Ball Super and episodes of Super Dragon Ball Heroes, bringing energy and precision to the franchise's tournaments and key battles.

Takao Kiriyama

Japanese episode director who contributed to both Dragon Ball Daima and Super Dragon Ball Heroes. Kiriyama helped bring energy to the latest Dragon Ball anime installments during recent production cycles.

Takeshi Torimoto

Japanese producer who served as production manager for Dragon Ball Z during its run and on several theatrical films, overseeing scheduling, budget, and logistics for both episodic content and feature productions.

Tamio Kojima

Japanese producer who brought Dragon Ball Z films to theaters as part of Toei's 1990 anime film showcase. He oversaw the production of multiple feature films during a significant period of Dragon Ball Z's theatrical expansion.

Tan Takaiwa

Japanese businessman and president of Toei Animation born in Fukuoka in 1930. As company leader, Takaiwa oversaw production of multiple Dragon Ball Z theatrical films and numerous other major anime adaptations.

Tatsuya Nagamine

Japanese anime director at Toei Animation who served as series director for Dragon Ball Super and directed the feature film Dragon Ball Super: Broly. He also directed multiple theatrical releases for One Piece and worked extensively on magical girl anime series.

Tatsuya Orime

Japanese episode director, assistant director, and storyboard artist who contributed directorial work to Dragon Ball and Dragon Ball Z. His involvement spanned both episodic television production and theatrical film projects within the franchise.

Tatsuya Yoshida

Japanese producer and planner who contributed to Dragon Ball GT and numerous other anime and film productions. His production and planning work at Toei Animation helped coordinate the development of multiple long-running series.

Tetsuo Imazawa

Japanese storyboarder and animator born in Nakatsu, Ôita, who contributed to the original Dragon Ball. Imazawa worked extensively as a director and storyboard artist across multiple anime and authored the storyboards for a key episode during Dragon Ball's Tournament Saga.

Tetsuo Inagaki

Japanese producer who oversaw production management on Dragon Ball Super's final episodes and multiple Dragon Ball Z theatrical films. Inagaki coordinated the complex logistics of high-profile anime productions and theatrical releases across the franchise's most celebrated recent works.

Tokizō Tsuchiya

Japanese producer and planning director for anime and television series at Fuji TV. Tsuchiya oversaw planning and production on the original Dragon Ball series and served as producer on Dr. Slump, shepherd-guiding both of Akira Toriyama's flagship manga adaptations from conception through broadcast.

Tomio Anzai

Japanese producer at Shueisha who produced multiple Dragon Ball Z theatrical films spanning the franchise's entire cinematic history. Anzai produced films from the Android-era through the Fusion and Kid Buu sagas, shepherding the theatrical side of Dragon Ball through its most prolific film period.

Tooru Kawai

Japanese planner who worked on Dragon Ball GT production, contributing to the franchise's continuation beyond the original series under Fuji TV.

Toshiaki Komura

Japanese director who worked on Dragon Ball Super as an episode director and storyboard artist, contributing to multiple sagas of the franchise's modern continuation.

Toshihiko Arisako

Japanese director and animator who directed episode 83 of the original Dragon Ball and storyboarded two early episodes, contributing directorial vision to the franchise's foundational series.

Toshihiro Ishikawa

Japanese assistant episode director who contributed to production advancement on the original Dragon Ball and Dragon Ball Z, assisting key directorial work across the franchise.

Toshiro Takamizu

Japanese production advancer who oversaw production logistics for Dragon Ball GT episodes and multiple theatrical Dragon Ball Z films throughout the 1990s.

Tsutomu Tomari

Japanese anime producer for Toei Animation who produced multiple Dragon Ball Z theatrical releases and contributed to numerous other anime adaptations of major manga franchises.

Victory Uchida

Japanese editor and producer who served as editor of V-Jump magazine during Dragon Ball Super's publication run, overseeing the manga's serialization.

Wataru Higuchi

Japanese producer who oversaw production on the Super Dragon Ball Heroes project, managing the online animated series based on the trading card game.

Wataru Matsumi

Japanese director who contributed to the Dragon Ball Heroes ONA, directing multiple episodes including the Universe Creation and New Space-Time War Sagas.

Yashiro Ichinomiya

Japanese director who directed multiple episodes of the Super Dragon Ball Heroes animated series, helming pivotal storyline moments from the Universe Creation and New Space-Time War Sagas.

Yasuhiro Nowatari

Japanese director and series director for Dragon Ball Z Kai, the modernized remastering of Dragon Ball Z. Nowatari helmed the entire series from production through its conclusion.

Yoko Matsusaki

Japanese producer and planner known for oversight roles on major anime productions. Matsusaki contributed planning work to Dragon Ball Z Kai, the remastered compilation series that reintroduced DBZ to modern audiences.

Yoshiaki Yanagi

Japanese production manager and advancement specialist who oversaw Dragon Ball Z's production logistics. Yanagi's organizational work ensured smooth production flow during the franchise's flagship series run.

Yoshihiro Ueda

Director at Toei Animation who directed episodes across the original Dragon Ball series and all Dragon Ball Z sagas, plus directed several theatrical films including Bojack Unbound and Bio-Broly.

Yoshiyuki Suzuki

Japanese producer who served as planner for the Super Dragon Ball Heroes web series. Involved in production committee work for major theatrical films.

Yuichi Suenaga

Japanese production manager and assistant director who worked on Dragon Ball films and episodes. Notably produced Cooler's Revenge and assisted with five additional Dragon Ball theatrical releases.

Yūichi Tsuzuki

Japanese director known for his work on Dragon Ball Super and Dragon Ball Daima. Tsuzuki contributed to multiple episodes across the Universe Survival Saga and Daima, helping guide the franchise's animation during its modern era.

Yui Komatsu

Japanese episode director who worked on Dragon Ball Super episodes and the Dragon Ball Super Broly film. Regular contributor to Precure anime series as episode director.

Yuji Endo

Japanese episode director who directed episodes 38 and 47 of the original Dragon Ball series. Worked across multiple anime series as storyboard artist and director.

Yukihiko Nakao

Japanese director and producer who worked on Dragon Ball Super, directing episodes from the Golden Frieza Saga and Universe Survival Arc that showcased major story turning points.

Yū Kondō

Shueisha editor and Akira Toriyama's second editor on Dragon Ball, overseeing the series during its peak popularity through the Cell Saga. Kondō introduced major plot elements that defined the franchise.

Yumiko Shigeoka

Japanese public relations professional who worked with Fuji Television on publicity for Dragon Ball Z and coordinated advertising campaigns for Dragon Ball Z specials.

Yutaka Satō

Japanese director who worked on Dragon Ball as an episode director and storyboarder, contributing to multiple episodes across the original series' runs.

출처 및 정보

이 콘텐츠는 드래곤볼 애니메이션 시리즈, 만화, 공식 자료를 바탕으로 Daddy Jim Headquarters가 직접 작성한 글입니다. 해당하는 경우 에피소드 및 챕터 출처를 표기하였습니다.

이 사이트의 캐릭터 및 장면 이미지는 스크린샷이나 라이선스 이미지가 아닌 Daddy Jim Headquarters의 오리지널 아트워크입니다. 공식 커버 아트는 편집 해설 목적으로 세 가지 유형의 페이지에만 사용됩니다.

  • 극장판 페이지: 극장 포스터 및 핵심 비주얼 (Toei Animation 및 Shueisha 제공).
  • 게임 페이지: 공식 박스 아트 (Bandai Namco, Atari 및 기타 퍼블리셔 제공).
  • 만화 챕터 페이지: Jump Comics 단행본 커버 (Shueisha 및 아키라 토리야마 제공).

Daddy Jim Headquarters의 드래곤볼 음악

드래곤볼 R&B를 들어보세요.

위키 정확성 유지에 도움을 주세요

Daddy Jim Headquarters는 13개 언어로 이 백과사전을 관리하고 있습니다. 오류, 번역 문제 또는 이상한 점을 발견하시면 알려주세요.