Ato Ato no Mi

Sorted into the Paramecia class, this fruit makes whoever swallows it into the being the story calls an Art Human. Its only demonstrated eater is Giolla, an officer among the Donquixote crew, who unveiled the ability during the Dressrosa events by twisting a handful of Straw Hats and their vessel into bizarre artwork. The label borrows the Japanese pronunciation of the English word art, and official English editions have printed it as the Art-Art Fruit.

Setting the power in motion, the wielder shapes a drifting cloud of thought and flings it toward a chosen mark, which then buckles in both form and purpose. A sword, a cart, or even a creature's antlers and hooves quit functioning after being twisted like this, and a whole ship can be wrecked to strip foes of a getaway. That very same motion reverses the effect and returns a warped thing to how it was. One notable weakness lies beyond the standard Devil Fruit limits: knock the user unconscious and each distortion she made springs back to its true shape by itself. Her named attacks include Broken-Fu Art, a forward blast of cloud that deforms whatever it strikes, and Dying Art, which entombs its victims within a mural at the price of their lives. A non-canon move, Heaven's Do Art, opens a concealed pocket realm in which she can rework anything not pulled inside the piece.

Serving as an officer of the Donquixote Pirates, Giolla stands as the sole holder of the ability. Her makeovers of Nami, Brook, Chopper, and Momonosuke famously nodded to real painters and styles, ranging from a Picasso-flavored figure to cubist shapes and a wink at Dalí's drooping clocks. The fruit draws parallels with other art-themed or flat-prison powers found in the series, among them the Fude Fude no Mi that Kanjuro carries and the Buku Buku no Mi belonging to Mont-d'Or, even though each runs on its own separate rules.