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Peepley Lulu

Character

Peepley Lulu serves as one of the five Dock 1 foremen at Water 7's Galley-La Company, ranking among the town's finest shipwrights. He specializes in pitch, block and tackle, and blacksmithing, and he sided with the Straw Hats across the close of the Water 7 events and into the Enies Lobby campaign.

English Voice: Martin Cervantes
Japanese Va: Shinichiro Ohta
Birthday: January 2nd
Age: 31 (debut); 33 (after timeskip)
Height: 206 cm
Status: Alive
Crew & Affiliations: Straw Hat Pirates, Galley-La Company

Occupations

Dock 1 ForemanShipwright
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Appearance

Lulu is a muscular man sporting black hair, a mustache, and his usual sunglasses. A single tuft of his hair refuses to lie flat; whenever he presses it down, it springs back up somewhere else, whether on the opposite side of his head, in his mustache, on his hand, or even atop someone else nearby. Intricate tattoos cover his upper body, green across the chest and red along the arms, and he wears striped pants with standard shoes. Aboard the Rocketman he switched to an open, vividly colored sleeveless top with two katanas slung over his shoulders.

Following the timeskip his look barely changes, save for a thinner, straighter mustache and a larger, more cone-shaped tuft of stray hair. When Franky's new bounty reaches him, that tuft splits into four little points. In One Piece Film: Red he keeps his pre-timeskip design even though the film is set afterward.

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Personality

Lulu approaches his trade with real seriousness and holds genuine affection for his coworkers and his boss alike. Despite that earnest streak, he functions largely as comic relief, joining in the running gags such as sprouting his unruly hair onto opponents to throw them off. He also turned up among the men caught peeping on Nami as she changed aboard the Rocketman, nosebleed and all.

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Abilities

Counted among Water 7's top five shipwrights alongside Franky, Iceburg, Paulie, and Tilestone, Lulu is one of Galley-La's most accomplished craftsmen. Like his fellow foremen he commands tremendous physical power; a single kick of his managed to hurt the rubber-bodied Luffy, and he has displayed strong combat ability overall. Through some unexplained means he can also weaponize his hair, forcing strands out of an enemy's nose to distract them and open them up for a strike, a trick named Yosomi Kinmotsu. In a fight he favors paired weapons, having been seen wielding swords, guns, and saws at different times.

His record in battle includes the brawl at Dock 1, the assault on Enies Lobby where he fought Oimo and Kashii beside Paulie and Tilestone, and the clash against the Just Eleven Jurymen. He later helped construct the Thousand Sunny and reappeared during the Sea Train unveilings and the Egghead events.

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Frequently Asked Questions

What is Peepley Lulu?

Peepley Lulu is one of the five Dock 1 foremen at Water 7's Galley-La Company, ranked among the town's finest shipwrights and allied with the Straw Hat Pirates during the Water 7 and Enies Lobby events.

What is Peepley Lulu's role at Galley-La Company?

Lulu works as a Dock 1 foreman at Galley-La, specializing in pitch, block and tackle, and blacksmithing.

What is Peepley Lulu's unusual ability?

Lulu can force a stray tuft of his hair to sprout from an opponent's nose in a distracting trick called Yosomi Kinmotsu, opening them up for a strike.

Did Peepley Lulu fight at Enies Lobby?

Yes, Peepley Lulu joined the assault on Enies Lobby, fighting Oimo and Kashii alongside fellow foremen Paulie and Tilestone.

Is Peepley Lulu one of Water 7's best shipwrights?

Peepley Lulu is counted among Water 7's top five shipwrights, alongside Franky, Iceburg, Paulie, and Tilestone.

Sources & Information

Looking for more on Peepley Lulu? The One Piece Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the One Piece anime series, manga, and official materials. Episode and chapter references are cited where applicable.

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Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Toei Company.
  • Game pages: official box art for the One Piece console and mobile games, credited to Bandai Namco.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Eiichiro Oda.

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