Japanese storyboarder who contributed to Dragon Ball and other early anime productions. His work in visual planning and storyboarding helped shape the visual flow and pacing of series across the 1970s and 1980s.
Higashino provided storyboards for Dragon Ball episode 49, contributing to the visual direction and pacing during the original series' run. His work as storyboarder required translating scripts into visual sequences, determining camera angles, character placement, and scene transitions that directors would then execute in animation.
Higashino worked across early anime productions including Go-Q-Choji Ikkiman, Konpora Kid, and Silver Fang, establishing himself in the storyboarding profession during anime's foundational period. His contributions to Dragon Ball positioned him within the early team that built the visual language of the franchise.
想了解更多关于Tatsuo Higashino的内容?Fandom 上的龙珠百科有专属页面,附有社区注释。
在 Fandom 上查看本内容为 Daddy Jim Headquarters 基于龙珠动画、漫画及官方资料的原创文章,相关集数与章节均注明出处。
本站角色与场景图片均为 Daddy Jim Headquarters 的原创美术作品,非截图或授权图像。以下三类页面出于评论目的使用了官方封面艺术:
Daddy Jim Headquarters 以 13 种语言维护本百科。如果您发现错误、翻译问题或任何不妥之处,请告知我们。