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Tatsushi Narita

Animator

Japanese animator who contributed in-between animation and animation checking to Dragon Ball and other anime productions. His work in the animation pipeline helped refine the movement and fluidity of early anime series.

Role: staff
Sub Role: In-between animator and animator for Dragon Ball episodes
Nationality: Japanese
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Dragon Ball Animation

Narita provided in-between animation for Dragon Ball episodes 133 and 148, working in a crucial role that bridges the gap between key frame animation and the final on-screen movement. This foundational animation work contributed to the smooth transitions and fluid action sequences that defined the original series during its later episodes.

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Animation Production Work

Narita extended his animation career across multiple productions, earning credits for in-between animation, in-between checking, and animation checking on series including Cardfight Vanguard, Yona of the Dawn, and the film Akira. His work in animation quality control and frame-by-frame artistry demonstrates the technical foundation that enables polished anime production.

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Sources & Information

Looking for more on Tatsushi Narita? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

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