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Yoichi Onishi

Animador

An influential animation supervisor known for his distinctive character work across Dragon Ball Super and Slam Dunk. Onishi's expressive art style left a lasting mark on several major franchises before his passing in January 2025.

Role: animation_supervisor
Sub Role: Dragon Ball Super and Slam Dunk animator, passed 2025
Nationality: Japanese
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Dragon Ball Work

Yoichi Onishi directed six episodes of Dragon Ball Super as animation director across multiple sagas. His work began in the Copy-Vegeta Saga with episode 43, capturing Goku's struggle to manage his overwhelming power. He supervised the critical episode 49 in the Future Trunks Saga, delivering the pivotal moment when Goku Black's true nature begins to unfold. In the Universe Survival Saga, Onishi oversaw episodes 102, 109, 110, 116, and 124, handling some of the tournament's most emotionally charged battles, including Gohan's last stand and the awakening of Ultra Instinct. Beyond television, Onishi contributed to Dragon Ball films, providing key animation for Path to Power, Bojack Unbound, Broly, and other theatrical releases. He was also part of the team behind Dragon Ball: The Return of Son Goku and Friends ONA special.

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Career and Influence

Onishi became legendary for his work on Slam Dunk, where he served as chief animator for episodes 82 through 101, establishing his reputation for dynamic character movement and expressive faces. His distinctive style featured large, luminous eyes and subtly exaggerated proportions. Beyond these two franchises, Onishi contributed animation direction to World Trigger, Digimon Adventure, and Saint Seiya Omega. Onishi passed away on January 8, 2025, leaving behind a legacy of technically skilled and emotionally resonant animation work.

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Fuentes e información

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Este contenido es texto original de Daddy Jim Headquarters, basado en el anime Dragon Ball, el manga y materiales oficiales. Las referencias de episodios y capítulos se citan cuando corresponde.

Las imágenes de personajes y escenas de este sitio son obras originales de Daddy Jim Headquarters, no capturas de pantalla ni imágenes con licencia. Las portadas oficiales se usan en tres tipos de páginas como comentario editorial:

  • Páginas de películas: pósteres teatrales y visuales clave, con créditos a Toei Animation y Shueisha.
  • Páginas de videojuegos: arte oficial de portadas, con créditos a Bandai Namco, Atari y otros editores.
  • Páginas de capítulos de manga: portadas de volúmenes de Jump Comics, con créditos a Shueisha y Akira Toriyama.

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