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Hirotaka Nii

Animador

Hirotaka Nii is an animation supervisor known for his exceptional speed and fluidity, who jumped from key animator to supervisor during Dragon Ball Super's Universe Survival Saga through contributions from external studio Anime R.

Role: animation_supervisor
Sub Role: Universe Survival Saga animation director
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Dragon Ball Super Work

Nii supervised six episodes across the Universe Survival Saga, a remarkable promotion trajectory within the production. He directed episode 82, which opened the tournament with Bergamo's challenge to Goku, and episode 89 featuring the mysterious Caulifla's introduction. He also supervised episode 97, which launched the actual Tournament of Power, episode 113 capturing the Saiyans' reunion joy, episode 122 showcasing Vegeta's pivotal challenge to become the strongest, and episode 129 portraying Goku's transcendent auto-Ultra Instinct mastery. His episodes captured some of the saga's most transformative moments.

His rapid rise from key animator to supervisor reflected his exceptional technical abilities and the production's confidence in his animation control.

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Animation Style and Career

Nii became known throughout the Dragon Ball Super production for his ability to animate incredibly quickly without sacrificing quality, an invaluable trait during the series' demanding schedule. Working through Anime R, an external animation studio, he proved his capabilities on key animation assignments before earning a promotion to animation supervisor during the Universe Survival Saga. His speed and consistency made him instrumental to maintaining the series' visual pace during the tournament's climactic chapters.

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Fontes e Informações

Quer saber mais sobre Hirotaka Nii? A Dragon Ball Wiki no Fandom tem uma página dedicada com notas da comunidade.

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Este conteúdo é escrito originalmente por Daddy Jim Headquarters com base na série anime Dragon Ball, no manga e em materiais oficiais. Referências de episódios e capítulos são citadas quando aplicável.

As imagens de personagens e cenas neste site são artes originais criadas por Daddy Jim Headquarters, não capturas de tela ou imagens licenciadas. Arte oficial de capa é utilizada em três tipos de páginas para comentário editorial:

  • Páginas de filmes: pôsteres teatrais e visuais principais, creditados a Toei Animation e Shueisha.
  • Páginas de jogos: arte oficial de caixa, creditada a Bandai Namco, Atari e outros publicadores.
  • Páginas de capítulos de manga: capas de volumes Jump Comics, creditadas a Shueisha e Akira Toriyama.

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