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Midori Iwai

Animador

Japanese inbetweener who contributed to the smooth animation of Dragon Ball and Dragon Ball Z across multiple key episodes and arcs. Her work spanned from the Emperor Pilaf Saga through the Piccolo Jr. Saga.

Role: staff
Sub Role: In-between animator across Dragon Ball and Z
Nationality: Japanese
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Dragon Ball Animation Career

Midori Iwai was an inbetweener who worked on the original Dragon Ball series, helping to bridge the motion between key frames across 18 episodes. Her contributions appeared throughout several defining sagas, including the Emperor Pilaf Saga, the Tournament Saga, the Red Ribbon Army Saga, and the General Blue Saga. She continued her work into Dragon Ball Z, supporting the massive visual demands of the franchise's escalating power levels and action sequences.

Her specific episodes in the original series included some of the most memorable moments, from the Emperor Pilaf Saga's opening episodes to the climactic Piccolo Jr. Saga final match between Goku and the junior demon king. Inbetweeners like Iwai were essential to the anime's fluidity, taking the key animators' core poses and creating the transitional frames that made every punch, kick, and energy blast feel dynamic and alive.

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Legacy in Animation

Iwai was part of a generation of inbetweeners who shaped the visual identity of Dragon Ball during its most formative years. Beyond her Dragon Ball work, she contributed to other notable projects including Galaxy Express 999 and various theatrical films. Her consistent technical work on the original series and Z laid groundwork for animators who would follow, demonstrating the craft required to sustain Toei Animation's ambitious weekly production schedule.

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Fontes e Informações

Quer saber mais sobre Midori Iwai? A Dragon Ball Wiki no Fandom tem uma página dedicada com notas da comunidade.

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Este conteúdo é escrito originalmente por Daddy Jim Headquarters com base na série anime Dragon Ball, no manga e em materiais oficiais. Referências de episódios e capítulos são citadas quando aplicável.

As imagens de personagens e cenas neste site são artes originais criadas por Daddy Jim Headquarters, não capturas de tela ou imagens licenciadas. Arte oficial de capa é utilizada em três tipos de páginas para comentário editorial:

  • Páginas de filmes: pôsteres teatrais e visuais principais, creditados a Toei Animation e Shueisha.
  • Páginas de jogos: arte oficial de caixa, creditada a Bandai Namco, Atari e outros publicadores.
  • Páginas de capítulos de manga: capas de volumes Jump Comics, creditadas a Shueisha e Akira Toriyama.

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