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Hisashi Nakayama

Animator

Multi-talented animator known for inbetween and key animation work across Dragon Ball series, with credits spanning original Dragon Ball through Dragon Ball Super. Also known for extensive Sailor Moon and Digimon work.

Role: staff
Sub Role: Key animator and designer for Dragon Ball Super's Golden Frieza Saga
Nationality: Japanese
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Dragon Ball Series Work

Nakayama contributed inbetween animation to Dragon Ball Z's early sagas and returned to the franchise in Dragon Ball Super, where he provided key animation for episode 16 during the Golden Frieza Saga. This later work on Super demonstrates his continued relevance across the franchise's decades of production. His involvement in both the analog era of DBZ and the digital age of Super positions him as a bridge between Dragon Ball's production generations. His technical consistency made him a dependable contributor for maintaining quality across the series' evolving animation standards.

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Broad Animation and Design Portfolio

Nakayama's resume extends across Sailor Moon (where he served as planning producer and animator), Digimon Adventure films and series, Gurren Lagann, Jujutsu Kaisen, and dozens of other major productions. He worked in design roles on Samurai 7 and Speed Grapher, contributing character design to projects across mecha, shounen action, and supernatural genres. His versatility across inbetween work, key animation, design, and production roles reflects the cross-functional demands placed on Dragon Ball's animation team. Nakayama's enduring career spanning multiple anime eras demonstrates the lasting value of precision animation craft that Dragon Ball required.

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Sources & Information

Looking for more on Hisashi Nakayama? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

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