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Keiko Sakai

Animator

Ink and paint artist who contributed to Dragon Ball episode 4, Oolong the Terrible, during the Emperor Pilaf Saga's early character introductions.

Role: animation_supervisor
Sub Role: Ink and paint artist for Dragon Ball
Nationality: Japanese
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Dragon Ball Contribution

Sakai provided ink and paint work on Dragon Ball episode 4, which introduces the shapeshifting Oolong and marks a comedic turning point as Goku and Bulma encounter their first real obstacles beyond the Dragon Balls themselves. Ink and paint artists translate animators' pencil drawings into finished color sequences, a foundational craft that ensures visual consistency and clarity across episodes.

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Animation Career

Beyond Dragon Ball, Sakai worked on finish animation for Gegege no Kitarō during the 1985 series and contributed paint work to Tenchi Universe, showing range across different character styles and visual palettes. Though her Dragon Ball credit is modest, it places her among the countless production team members who helped establish one of anime's most enduring franchises.

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Sources & Information

Looking for more on Keiko Sakai? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

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