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Toshiyuki Kan'no

Animator

A veteran animation supervisor who shaped the visual style of Dragon Ball GT and Z. Kan'no's work on Studio Live episodes became foundational to the franchise's extended animation legacy.

Role: animation_supervisor
Sub Role: Dragon Ball GT and Z animation director
Nationality: Japanese
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Dragon Ball Work

Toshiyuki Kan'no has been a consistent presence in the Dragon Ball franchise since the original series, contributing in-between animation to episodes 138, 145, and 152. His role expanded significantly in Dragon Ball Z, where he served as a key animator for over 45 episodes across Studio Live productions, covering everything from the Saiyan Saga through the Majin Buu Saga. In Dragon Ball GT, Kan'no took on animation director duties for episodes 4, 9, 15, and 21, providing crucial directorial oversight during the Black Star Dragon Ball and Baby Sagas. He also lent his expertise to Dragon Ball Super with key animation on episode 130. Beyond the television series, Kan'no contributed to multiple theatrical releases including The Path to Power, and several Z films where he handled key animation duties on Bojack Unbound, Broly, Lord Slug, and Wrath of the Dragon.

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Career and Style

Outside Dragon Ball, Kan'no has demonstrated impressive range across anime, serving as a key animator on Hunter x Hunter, Black Lagoon, and Trigun. He earned a director credit on the Halo Legends short The Babysitter, handling storyboard, animation supervision, and key animation. His work is characterized by technical precision and the ability to maintain consistency across large-scale productions. Kan'no remains a valued contributor to the anime industry, known for his dependability on both major franchises and diverse projects.

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Sources & Information

Looking for more on Toshiyuki Kan'no? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

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