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Yoko Iizuka

Animator

A prolific key animator who worked across the original Dragon Ball, Z, GT, and numerous theatrical films. Iizuka's extensive catalog makes her one of the franchise's most visible animation contributors.

Role: animation_supervisor
Sub Role: Key animator across Dragon Ball's entire trilogy
Nationality: Japanese
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Dragon Ball Contributions

Yoko Iizuka's work spans all three Dragon Ball anime series and multiple films. In the original Dragon Ball, she contributed key animation to episodes spanning the General Blue, Commander Red, King Piccolo, and Piccolo Jr. Sagas, totaling at least ten episodes. Her work on Dragon Ball Z is extensive, covering key animation across every major saga from Raditz through Kid Buu. Within Z, she particularly focused on crucial episodes including the Vegeta and Namek Sagas' early confrontations, Frieza's climactic battles, and the Cell Games finale. Iizuka contributed to Dragon Ball GT's Black Star Dragon Ball, Baby, Super 17, and Shadow Dragon Sagas. Her theatrical work includes The World's Strongest and Mystical Adventure, along with key animation on the Bardock special and the Return of Son Goku and Friends ONA.

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Career Scope

Iizuka's career demonstrates remarkable longevity and versatility, with Dragon Ball being her primary focus across multiple decades. The sheer volume of her credited episodes across all three series positions her among the franchise's most prolific key animators, making her contributions fundamental to the visual continuity that fans experienced from the 1980s through the 2010s. Her consistent presence speaks to her reliability and technical competence across the franchise's evolving animation standards.

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Sources & Information

Looking for more on Yoko Iizuka? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

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