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Yoshimitsu Suzuki

Animator

Japanese artist who contributed ink and paint work to Dragon Ball episode 4. Involved in finishing and color work for early Dragon Ball broadcasts.

Role: staff
Sub Role: Ink and paint artist for Dragon Ball episode
Nationality: Japanese
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Dragon Ball Production

Suzuki provided ink and paint work on Dragon Ball episode 4, part of the early Emperor Pilaf Saga. Ink and paint departments handle the critical task of applying color to animated frames, transforming black-and-white animation into the finished product audiences see. This technical role was essential to Dragon Ball's visual presentation during its original broadcast.

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Career

Beyond Dragon Ball, Suzuki worked on Gegege no Kitaro and provided cel check duties for Urusei Yatsura films. His work in finishing animation demonstrates the specialized expertise required in traditional anime production workflows.

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Sources & Information

Looking for more on Yoshimitsu Suzuki? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

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