A freelance animator celebrated for sharp angular effects work and Studio Cockpit influenced character designs. Born April 16, 1984, Takahashi became one of Dragon Ball Super's most instantly recognizable supervisors.
Yūya Takahashi made his animation supervisor debut on Dragon Ball Super relatively late in the series, starting with episode 114's introduction of a new Super Warrior form. His earlier contributions to the franchise included key animation on the opening theme and episode 13, establishing his technical credentials before promotion. On Dragon Ball Z: Battle of Gods, he served as CG Production Manager and contributed key animation. For Dragon Ball Z: Resurrection 'F', Takahashi handled key animation duties. His work on Dragon Ball Super: Broly expanded his responsibilities, with assistant animation supervisor credit and key animation contributions. In Dragon Ball Daima, Takahashi earned Chief Animation Director credit on episode 2, demonstrating his continued evolution within the franchise. His sharp three-tone shading and effects work became instantly identifiable signatures, heavily influenced by Studio Cockpit's aesthetic and Tadayoshi Yamamuro's Buu Saga Z work.
Beyond Dragon Ball, Takahashi has achieved recognition for his work on One Piece films including 3D2Y: Overcoming Ace's Death, Film Gold (movie 13), and Stampede (movie 14). He contributed key animation to Fairy Tail, Saint Seiya Omega, and World Trigger. His distinctive angular effects style and character work have made him highly sought after for intense action sequences, establishing him among the animation industry's most celebrated contemporary supervisors.

There are no women on Namek. That isn't an oversight, it's the biology. Why we handed Piccolo the one thing his own species rules out, and why it had to be trap soul....

Dragon Ball handed us a protagonist with no history and the internet named him John Dragon Ball. So we built him somebody to talk to....
Yūya Takahashi is a Japanese animator, known for Dragon Ball Super's distinctive effects animator and supervisor. A freelance animator celebrated for sharp angular effects work and Studio Cockpit influenced character designs.
Yūya Takahashi made his animation supervisor debut on Dragon Ball Super relatively late in the series, starting with episode 114's introduction of a new Super Warrior form. His earlier contributions to the franchise included key animation on the opening theme and episode 13, establishing his technical credentials before promotion.
Yūya Takahashi is a Japanese animator associated with English language Dragon Ball productions.
Yūya Takahashi has been active in the 2010s-present period of the franchise. Dragon Ball Super's distinctive effects animator and supervisor.
Beyond Dragon Ball, Takahashi has achieved recognition for his work on One Piece films including 3D2Y: Overcoming Ace's Death, Film Gold (movie 13), and Stampede (movie 14). He contributed key animation to Fairy Tail, Saint Seiya Omega, and World Trigger.
Looking for more on Yūya Takahashi? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.
View on FandomThis content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.
Rights holders
All rights belong to their respective owners.
Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:
Browse our episode guides:
Official resources:
Daddy Jim Headquarters maintains this encyclopedia. If you spot an error, a translation issue, or something that doesn't look right, let us know.