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Miyako Tsuji

Animator

A legendary animation supervisor who served as chief animation director for 55 episodes of Dragon Ball Super and contributed significantly to Super: Broly and Resurrection F films.

Role: animation_supervisor
Sub Role: Chief animation director of Dragon Ball Super
Nationality: Japanese
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Dragon Ball Super Direction

Tsuji stands as one of Dragon Ball Super's most influential animation supervisors, serving as chief animation director for 55 episodes across every major saga. Her supervisory work shaped Super's visual language from the God of Destruction Beerus Saga through the Universe Survival Tournament and beyond. Beyond chief direction duties, she animated key sequences, contributed to openings, and worked as assistant animation director across multiple episodes, demonstrating her hands-on involvement in the series' most crucial moments. Her work on Dragon Ball Super: Broly and Resurrection 'F' films further cemented her importance to the franchise's contemporary visual direction.

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Career and Legacy

Tsuji's career extends far beyond Dragon Ball, encompassing extensive work on Dragon Quest: The Adventure of Dai (2020) where she served as chief animation director for 24 episodes, demonstrating expertise with fantasy action storytelling. Her resume includes significant contributions to Sailor Moon Crystal, Kingdom, The World Is Still Beautiful, Naruto Shippūden, and numerous other major productions. She also worked on Super Dragon Ball Heroes animation directing, establishing herself as a cornerstone animator for multiple Akira Toriyama franchises. Her consistent presence across Super's production and film projects reflects recognition of her singular importance to Dragon Ball's contemporary visual identity and animation quality standards.

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Sources & Information

Looking for more on Miyako Tsuji? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

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