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Marron

Character

Marron is the daughter of Krillin and Android 18. A cheerful and innocent girl, she grows up surrounded by the Z Fighters and their families. While she does not possess the combat abilities of her parents, she represents the peaceful future that the heroes fight to protect.

Race: Human
Gender: Female
Status: Alive

Also Known As

Maaron (Japanese)

First Appearance

Occupations

Student
Text Size

Growing Up Among Heroes

Marron is born sometime after the Cell Saga, the product of the unlikely romance between Krillin, one of Earth's bravest fighters, and Android 18, a former enemy turned ally. She inherits her mother's blonde hair and her father's gentle disposition, growing up in a household that balances ordinary family life with the extraordinary circumstances of living among warriors who regularly save the universe.

Throughout the Buu Saga, Marron is a young child who accompanies her parents to the World Martial Arts Tournament and other gatherings. She is among those killed by Buu's Human Extinction Attack but is revived along with the rest of Earth's population by the Dragon Balls. In Dragon Ball Super, she appears during family-oriented episodes, attending parties at Capsule Corporation and being looked after by her parents during the various crises that unfold.

Marron's significance lies not in her own actions but in what she represents for Krillin and 18's character arcs. Her existence is proof that 18 has fully embraced her humanity, and Krillin's protectiveness toward his daughter adds emotional depth to his motivations during the Tournament of Power. She is a symbol of the domestic peace that Earth's fighters have earned through decades of sacrifice, and her cheerful normalcy provides contrast to the high-stakes battles that define the series.

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Sources & Information

Looking for more on Marron? The Dragon Ball Wiki on Fandom has a dedicated page with community notes.

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This content is original writing by Daddy Jim Headquarters based on the Dragon Ball anime series, manga, and official materials. Episode and chapter references are cited where applicable.

Character and scene imagery on this site is original artwork by Daddy Jim Headquarters, not screenshots or licensed imagery. Official cover art is used on three types of pages for editorial commentary:

  • Movie pages: theatrical posters and key visuals, credited to Toei Animation and Shueisha.
  • Game pages: official box art, credited to Bandai Namco, Atari, and other publishers.
  • Manga chapter pages: Jump Comics volume covers, credited to Shueisha and Akira Toriyama.

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